Accessible, intriguing study of how we see God.
Fascinating journey through Western civilization’s ongoing attempts to understand and explain the concept of God.
Celebrated religion scholar Armstrong (The Bible: A Biography, 2007, etc.) creates more than a history of religion; she effectively demonstrates how the West (broadly speaking) has grappled with the existence of deity and captured the concept in words, art and ideas. Beginning in the majestic caves of Lascaux, Armstrong explores how religion became a meaningful part of prehistoric societies, and the ways in which these societies passed down their practices and ideas in the earliest forms of art. The author then moves on to early monotheism and its rivals, offering a brilliant examination of ancient Greek views on religion and reason, which laid the groundwork for so much of Western thought. Looking at the early Christians and Diaspora-era Jews in tandem, Armstrong delves into Talmudic study and midrash, as well as Christian adaptations of theological concepts. Throughout the book, the author argues against religion as an abstraction, noting that it most truly exists in practice. “Faith…was a matter of practical insight and active commitment,” she writes. “It had little to do with abstract belief or theological conjecture.” Nevertheless, scholars have always attempted to define and “prove” God, and Armstrong admirably outlines the best of them through the centuries, including Origen, Anselm, Pascal and Tillich. Armstrong claims that the “warfare” between science and religion is a myth perpetuated by those with axes to grind. Likewise, the modern atheist movement, “death of God” theology and even fundamentalism arise from extremists who see religion as correct doctrine, not correct praxis. Though mostly focused on the West, Armstrong maintains a global perspective, masterfully weaving in her solid understanding of the world’s panoply of faiths.
Accessible, intriguing study of how we see God.Pub Date: Sept. 25, 2009
ISBN: 978-0-307-26918-8
Page Count: 432
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2009
An erudite and artful, though frustratingly restrained, look at Old Testament stories.
The Book of Genesis as imagined by a veteran voice of underground comics.
R. Crumb’s pass at the opening chapters of the Bible isn’t nearly the act of heresy the comic artist’s reputation might suggest. In fact, the creator of Fritz the Cat and Mr. Natural is fastidiously respectful. Crumb took pains to preserve every word of Genesis—drawing from numerous source texts, but mainly Robert Alter’s translation, The Five Books of Moses (2004)—and he clearly did his homework on the clothing, shelter and landscapes that surrounded Noah, Abraham and Isaac. This dedication to faithful representation makes the book, as Crumb writes in his introduction, a “straight illustration job, with no intention to ridicule or make visual jokes.” But his efforts are in their own way irreverent, and Crumb feels no particular need to deify even the most divine characters. God Himself is not much taller than Adam and Eve, and instead of omnisciently imparting orders and judgment He stands beside them in Eden, speaking to them directly. Jacob wrestles not with an angel, as is so often depicted in paintings, but with a man who looks not much different from himself. The women are uniformly Crumbian, voluptuous Earth goddesses who are both sexualized and strong-willed. (The endnotes offer a close study of the kinds of power women wielded in Genesis.) The downside of fitting all the text in is that many pages are packed tight with small panels, and too rarely—as with the destruction of Sodom and Gomorrah—does Crumb expand his lens and treat signature events dramatically. Even the Flood is fairly restrained, though the exodus of the animals from the Ark is beautifully detailed. The author’s respect for Genesis is admirable, but it may leave readers wishing he had taken a few more chances with his interpretation, as when he draws the serpent in the Garden of Eden as a provocative half-man/half-lizard. On the whole, though, the book is largely a tribute to Crumb’s immense talents as a draftsman and stubborn adherence to the script.
An erudite and artful, though frustratingly restrained, look at Old Testament stories.Pub Date: Oct. 19, 2009
ISBN: 978-0-393-06102-4
Page Count: 224
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2009
BOOK REVIEW
BOOK REVIEW
Internationally renowned because of his earlier books, among them tape Letters, Surprised by Joy, Mere Christianity, C. S. Lewis making religion provoking, memorable and delightful is still more latest Reflections on the Psalms. Though he protests that he writes learned about things in which he is unlearned himself, the reader is likely thank God for his wise ignorance. Here especially he throws a clear lightly or not, on many of the difficult psalms, such as those which abound with and cursing, and a self-centeredness which seems to assume' that God must be side of the psalmist. These things, which make some psalm singers pre not there, have a right and proper place, as Mr. Lewis shows us. They of Psalms more precious still. Many readers owe it to themselves to read flections if only to learn this hard but simple lesson. Urge everyone to book.
Pub Date: June 15, 1958
ISBN: 015676248X
Page Count: 166
Publisher: N/A
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1958
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