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THE NEW NEIGHBOR

Cleveland engenders deep paranoia for the susceptibility of U.S. intelligence—under the guise of entertainment.

“How well do any of us know our neighbors?” This question anchors Cleveland’s latest novel as a CIA analyst fights against the clock to keep Iranian intelligence from infiltrating the Joint Worldwide Intelligence Communications System.

Beth Bradford’s life is in transition: Her youngest son has just started college, and she and her husband are moving out of the house where all three of their kids grew up, away from the McLean, Virginia, neighborhood where their best friends still live. Their marriage is also fading; Beth’s only solace is that she will have more time to devote to preventing Iranian intelligence from infiltrating the network using an asset only known as “The Neighbor.” Despite her almost 20 years on the case, however, she is suddenly reassigned to a teaching gig, losing her high-level security clearance and her professional raison d’être. The last bit of intelligence she (surreptitiously) accesses is a short message: “The Neighbor has found a new cul-de-sac.” Determined to figure out the identity of The Neighbor before national security is compromised, she begins to surveill her old neighborhood, noticing for the first time how most of her friends, in addition to the woman who bought her house, have their own secrets and could potentially be guilty. But no one will believe her; her family, friends, and co-workers chalk up her suspicions to midlife crisis paranoia. Will she uncover the identity of The Neighbor before it’s too late? Despite a rather predictable pattern—no one seems to understand that Beth’s concern is rooted in  more than her chaotic life changes—there are a number of satisfying twists in the second half of the book. To answer the rhetorical question: No, it’s clear that we never really know our neighbors—or our own families—but must rely only on ourselves. A stark takeaway, yes, but that doesn’t make it wrong.

Cleveland engenders deep paranoia for the susceptibility of U.S. intelligence—under the guise of entertainment.

Pub Date: July 26, 2022

ISBN: 978-0-593-35802-3

Page Count: 304

Publisher: Ballantine

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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NONE OF THIS IS TRUE

It's hard to read but hard to look away from.

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When two women who share a birthday meet, a journalist becomes the subject of her own true-crime mystery.

On their 45th birthdays, Josie Fair and Alix Summer meet at a pub and discover they were born not only on the same day, but in the same hospital. Alix is a successful journalist, and Josie convinces Alix that her story is worth telling: Josie met her husband when she was 13 and he was 40. “I can see that maybe I was being used, that maybe I was even being groomed?” she confesses to Alix. “But that feeling of being powerful, right at the start, when I was still in control. I miss that sometimes. I really do. And what I’d like, more than anything, is to get it back.” From this premise Alix creates a Netflix series, Hi! I’m Your Birthday Twin! which investigates Josie’s life as she reconciles what happened to her as a teen and seeks a new path. With the story unfinished, the narrative unfolds in the present tense, with prose that jingles like song lyrics: “He turns to see if the girl is behind him, and sees her wishy-washy, wavy-wavy, in double vision through the glass windows of the hotel.” Alix is both intrigued and repulsed by Josie, but she initially gives her the benefit of the doubt. After all, Alix’s husband, Nathan, has a drinking problem, and Alix knows what it’s like to be reluctant to leave a bad situation. But Josie seems more interested in being part of Alix’s seemingly glamorous life than she is in fixing her own, and when three people end up dead and Alix’s life is turned upside down, the evidence points to Josie—and turns the TV series into a murder mystery. Transcripts from Alix’s interviews alternate with the narrative, offering increasingly varied perspectives on Josie’s story as told by her neighbors, friends, and family members. With so many versions of events, the ending shatters, leaving readers to decide whose is the truth.

It's hard to read but hard to look away from.

Pub Date: Aug. 8, 2023

ISBN: 9781982179007

Page Count: 384

Publisher: Atria

Review Posted Online: May 24, 2023

Kirkus Reviews Issue: June 15, 2023

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