A welcome series addition that emphasizes familiarity instead of difference and treats its message with an affectionately...
Richard dreams of landing the perfect flat-ground Ollie, but before he can attempt the daring skateboard feat, he must recover from an earlier trick that he played on his parents by concealing a teacher’s note informing his parents of lackluster effort.
Ms. Shelby-Ortiz knows that Richard can do better, but Richard just doesn’t want to think about it, so he leaves her note buried in his backpack. Eventually, of course, the truth comes out, and there are consequences, chief among them missing the birthday party where he plans to show off his trick. English’s longtime collaborator Freeman (the companion Nikki & Deja series) contributes illustrations throughout, often representing critical moments in the story. One memorably depicts Richard struggling with the spelling of q-u-o-t-i-e-n-t in a crucial spelling test in which perfection stands between him and the skate park. While it’s clear from the illustrations that Richard and his family are African-American, the text is largely free of cultural signifiers. The story reads much more like an all-American tale of a growing family amid middle-class suburban life than it does of a black middle-class family raising four black boys in the suburbs—an approach that broadens the spectrum of books aimed at young urban boys of color. Readers won’t find clear racial depictions, but they’ll still giggle at the familial mischief.
A welcome series addition that emphasizes familiarity instead of difference and treats its message with an affectionately light hand . (Fiction. 6-10)Pub Date: Dec. 2, 2014
ISBN: 978-0-544-28306-0
Page Count: 128
Publisher: HMH Books
Review Posted Online: Sept. 30, 2014
Kirkus Reviews Issue: Oct. 15, 2014
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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