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GRABBING PUSSY

Unsparing, hate-fueled diatribes serving as an implicit rebuttal of the “kill ’em with kindness” approach.

The controversial performance artist and social commentator indulges in a Trump-bashing frenzy.

Finley (The Reality Shows, 2011, etc.) finds her ultimate target in the current president. This amalgam of creative prose and freestyle poetry floods vitriol on the words and actions of Trump. Like in some of her previous works—e.g. George and Martha, her burlesque of a love affair between George Bush and Martha Stewart—the author attempts to transmogrify a bottomless liberal rage into moving, provocative, and occasionally hilarious art. Most pieces approximate Finley’s real-time experience of watching the debates, the 2016 election, Trump's inauguration and Cabinet appointments, and the seemingly endless scandals besetting American politics, and most chapters feature the author’s stream-of-consciousness conversation with herself. Other sections explore alternative narrative forms and inhabit the voices of key players, including Trump himself, pointedly sinking to his level in a satiric travesty of his political debate foibles that derails into ad hominem attacks and inverted objectifications of the male body, eventually erupting in a lively six-page roster of demeaning euphemisms for the penis (highlights include “Mighty Mouse” and “Dr. Peeper”). Recurring sections inhabit Hillary Clinton’s inner monologue and imaginatively re-create private content like the string of in-house emails (or “emales”) devoted to policing Clinton’s supposed lack of femininity and fashion sense. Finley’s signature shock value registers as rather less extreme in the present media climate, and her comedy elicits little engagement beyond a mirthless laugh at the edge of bitter despair. The poems distinguish themselves from the freestyle prose (just barely) due to their greater reliance on sound and rhythmic intonations of vengeful vituperation. One imagines these pieces playing better at a spoken word slam or a Moth performance than in print, but as with the recent retrospective of her collected works, Finley seems determined to transmit and to get on the record just how much she truly abhors this president and everything he supports.

Unsparing, hate-fueled diatribes serving as an implicit rebuttal of the “kill ’em with kindness” approach.

Pub Date: Nov. 6, 2018

ISBN: 978-1-944869-95-3

Page Count: 176

Publisher: OR Books

Review Posted Online: Sept. 10, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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