A compelling novel of grief and family secrets.
In Foster’s debut novel, a reclusive college professor delves into the tragedy that defined his life.
Philip Rutledge lives a solitary life, teaching in the English department at Virginia’s Grainger University. “I hadn’t come to Grainger to have fun,” narrates the 30-year-old. “I came to teach and to be left alone in a town where no one knew me or cared to.” A fire at a campus dorm that kills eight students barely penetrates his standoffishness (he’s even reluctant to allow his seizure-prone Labrador, Dilsey, to comfort the traumatized survivors). Then he receives an email from a young woman named Emily Warner. She’s looking for information regarding a shooting that took place a decade earlier in which Philip’s younger brother was killed—Philip and his father, a powerful politician, were also involved and hospitalized for their injuries. The shooter was Emily’s father, and she only ever knew him to be a good man. How, then, did it all go so wrong? At first, Philip refuses to get involved; he’s buried the pain and grief so deeply that unearthing them feels impossible. As he and Emily begin sharing notes, however, Philip realizes he doesn’t know much about the shooting either. When he begins asking questions, he learns that there may be more to the story than his secret-filled family ever let on. The author’s elegant prose mirrors Philip’s emotions, as when the description of his family’s farm reflects his fears of returning home after a long estrangement: “The paved drive to the farm’s main entrance diverged abruptly from the road and headed into dense pines and hardwoods. Iron double gates flanked by brick columns connected the wrought iron fencing that stabbed upward on either side of the drive.” The novel is a bit long at nearly 400 pages, but the premise is intriguing and the plot unfolds at a steady pace.
A compelling novel of grief and family secrets.Pub Date: June 13, 2023
ISBN: 9781954805224
Page Count: 402
Publisher: Bold Story Press
Review Posted Online: June 2, 2023
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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