All in all, a lively and historically grounded reimagining of two Tudor survivors.
Harper, author of an inventive, long-running mystery series starring Elizabeth I as sleuth (The Hooded Hawke, 2007, etc.), now depicts the monarch through the eyes of her most loyal courtier.
Like her eventual mentor Thomas Cromwell (Henry VIII’s fixer-in-chief), Kat Champernowne is of humble origins. Her father, a beekeeper from an impoverished branch of Devonshire nobility, doesn’t seem unduly upset by the suspicious drowning of Kat’s mother Cecily. With scandalous haste, he marries the vain, scheming hussy who was the last person to see Cecily alive. Kat yearns to escape Maud, who treats her as a drudge and nursemaid for a growing brood of half-siblings. Her chance comes when she does a good turn for Cromwell, who procures her an education at the manor house of wealthy distant relations. Then she’s off to Henry’s court to serve Anne Boleyn—and to spy on her for Cromwell. Kat’s devotion to Anne extends through her coronation and her execution approximately 1,000 days later. Shortly before she faces the headsman, the doomed queen gives Kat a ruby locket-ring with facing portraits of Anne and her daughter Elizabeth, whose gender precipitated her swift fall from favor. She begs Kat to cherish and protect the princess always. Elizabeth’s mettle is severely tested: She’s disinherited in favor of younger brother Edward, very nearly seduced by villainous rake Thomas Seymour (who raped Kat in her early days at court), displaced again by her cousin Jane Grey’s ill-fated coup, followed by her elder sister Mary’s accession to the throne. While treading the delicate line between deference and the discipline young Elizabeth sorely needs, Kat outwits and outlives Seymour and his many blackmail attempts. She confounds her questioners during two prison terms endured as a result of various power shifts. Unfortunately, perhaps because of scant written records concerning Kat, she’s a much sketchier character than her royal charge.
All in all, a lively and historically grounded reimagining of two Tudor survivors.Pub Date: Jan. 1, 2010
ISBN: 978-0-399-15618-2
Page Count: 368
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2009
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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