A well-researched and -written investigation that shows the inadequacies in stark human terms rather than as an abstraction.

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CHASING GIDEON

THE ELUSIVE QUEST FOR POOR PEOPLE'S JUSTICE

A journalist explores the quality of indigent defense 50 years after Gideon v. Wainwright mandated adequate counsel for any person charged with a felony.

Washington Post Magazine contributing writer Houppert (Home Fires Burning: Married to the Military—for Better or Worse, 2005, etc.) concedes that her book is an update on the nonfiction classic by Anthony Lewis, Gideon's Trumpet (1964). Houppert focuses on four defendants represented by appointed lawyers. One of those cases is that of Clarence Earl Gideon, who appealed for defense counsel despite his poverty after his 1961 arrest in Panama City, Fla. The other cases are more contemporary: teenager Sean Replogle in Spokane, Wash., after he was charged with vehicular homicide; Gregory Bright in New Orleans, where he was convicted of a 1975 murder he did not commit; and Rodney Young in Georgia, where he was sentenced to death despite his apparent mental retardation. Houppert demonstrates that most public defenders are dedicated lawyers but face severe disadvantages due to overwhelming case loads, inadequate budgets for expert witnesses and the like, as well as the nature of the criminal justice system, which often emphasizes the desirability of a plea bargain instead of taking a case to a full trial by judge or jury. While Lewis sounded optimistic about the development of high-quality defense representation for the indigent in the wake of the Supreme Court ruling, Houppert is more pessimistic. Her research shows that defendants are regularly being denied their legal right to a strong lawyer with enough time and resources to function at the highest level. After all, indigent defendants do not have an organized lobbying group to compete for meager local, state and federal government resources, especially in recessionary eras.

A well-researched and -written investigation that shows the inadequacies in stark human terms rather than as an abstraction.

Pub Date: March 19, 2013

ISBN: 978-1-59558-869-2

Page Count: 288

Publisher: The New Press

Review Posted Online: Jan. 21, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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