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IN PRAISE OF DIFFICULT WOMEN

LIFE LESSONS FROM 29 HEROINES WHO DARED TO BREAK THE RULES

Inspiring reading about women who have shown “that it’s all right to occupy our humanity.”

Karbo (Julia Child Rules: Lessons on Savoring Life, 2013, etc.) sketches the lives of 29 extraordinary women.

The author defines “difficult” women as those who believe their “needs, passions, and goals are at least as important as those of everyone around” them. In this book, Karbo creates word portraits—accompanied by drawings—of modern women who refused to let any social, cultural, or personal barriers stand in the way of their respective “mission[s].” Her subjects run the gamut from writers, artists, and performers to athletes, politicians, and media executives and include luminaries such as J.K. Rowling, Josephine Baker, Billie Jean King, Helen Gurley Brown, and Hillary Clinton. Karbo begins each portrait with one word that helps describe the woman: Rowling is “feisty,” Baker “gutsy,” King “competitive,” Brown “relentless,” and Clinton “ambitious.” She then highlights those parts of her subjects’ lives that have earned them reputations as “difficult.” Despite monumental success as a novelist, Rowling refused to allow herself to be “imprisoned by her role as creator of one of the most beloved fictional universes in literary history.” Dancer Baker dared to shake “body parts no one knew you could shake” up until four days before her death at age 68. King, who beat fellow tennis player Bobby Riggs in a 1973 “battle of the sexes” tennis match, fought tirelessly for “equal pay, equal treatment [and] equal respect” for women athletes. For more than 50 years, Brown advocated that women should not only enjoy the glamorous life, but also become sex objects, the better to enjoy the sexual freedom. Clinton kept moving forward toward lofty goals like the presidency despite the sexual and political scandals that rocked her husband’s administration. Refreshingly frank, Karbo’s book celebrates women who forged provocative identities and found life fulfillment despite the odds they faced.

Inspiring reading about women who have shown “that it’s all right to occupy our humanity.”

Pub Date: Feb. 27, 2018

ISBN: 978-1-4262-1774-6

Page Count: 352

Publisher: National Geographic

Review Posted Online: Oct. 29, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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