A bit like the newly imagined Sherlock Holmes movies: a dose of drama, a dash of darkness, and a little bit of humor...

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EDGAR ALLAN POE AND THE LONDON MONSTER

1840: Edgar Allan Poe and Auguste Dupin race to uncover the truth about a violent scandal involving Poe’s actor grandparents and a notorious London criminal in Street's debut novel.

Carrying a mysterious cache of letters that point toward a connection between the Arnolds and the Monster of London, infamous for attacking several ladies in the late 1780s, Poe travels to London to meet his most famous character, here a living, breathing, and very cerebral detective. Someone desiring revenge on the true Monster cunningly reveals more hints in the form of additional letters from time to time during the investigation. This nemesis also preys upon Poe’s emotional instability, exploiting his weaknesses and frequently sending him into a faint. Dupin, as it turns out, is also chasing an obsession in London: the identity of the man who betrayed his family during the French Revolution. The two men work together to find answers to their respective mysteries as the clock runs down, leading to a final showdown—in creepy catacombs, of course. The novel begins with an unnecessary author’s note describing its inspiration from true events, which lessens, rather than intensifies, the impact of a novel and main character whose strength must lie in imagination. The other pit into which Street falls (Poe-ish pun intended) is the difficulty of imbuing a famous artist and a beloved character with originality. Poe in particular comes across as a poor caricature of himself, overly dramatic and rather pathetic. Dupin, in contrast, begins as a one-note character but gains complexity as his past and secrets are revealed. Elizabeth and Henry Arnold, brought to life only in their letters, provide the most amusement in the tale.

A bit like the newly imagined Sherlock Holmes movies: a dose of drama, a dash of darkness, and a little bit of humor ultimately liven up the journey.

Pub Date: Oct. 11, 2016

ISBN: 9781681772202

Page Count: 384

Publisher: Pegasus

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom...

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LADY IN THE LAKE

Baltimore in the 1960s is the setting for this historical fiction about a real-life unsolved drowning.

In her most ambitious work to date, Lippman (Sunburn, 2018, etc.) tells the story of Maddie Schwartz, an attractive 37-year-old Jewish housewife who abruptly leaves her husband and son to pursue a long-held ambition to be a journalist, and Cleo Sherwood, an African-American cocktail waitress about whom little is known. Sherwood's body was found in a lake in a city park months after she disappeared, and while no one else seems to care enough to investigate, Maddie becomes obsessed—partly due to certain similarities she perceives between her life and Cleo's, partly due to her faith in her own detective skills. The story unfolds from Maddie's point of view as well as that of Cleo's ghost, who seems to be watching from behind the scenes, commenting acerbically on Maddie's nosing around like a bull in a china shop after getting a job at one of the city papers. Added to these are a chorus of Baltimore characters who make vivid one-time appearances: a jewelry store clerk, an about-to-be-murdered schoolgirl, "Mr. Helpline," a bartender, a political operative, a waitress, a Baltimore Oriole, the first African-American female policewoman (these last two are based on real people), and many more. Maddie's ambition propels her forward despite the cost to others, including the family of the deceased and her own secret lover, a black policeman. Lippman's high-def depiction of 1960s Baltimore and the atmosphere of the newsroom at that time—she interviewed associates of her father, Baltimore Sun journalist Theo Lippman Jr., for the details—ground the book in fascinating historical fact.The literary gambit she balances atop that foundation—the collage of voices—works impressively, showcasing the author's gift for rhythms of speech. The story is bigger than the crime, and the crime is bigger than its solution, making Lippman's skill as a mystery novelist work as icing on the cake.

The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom and the city it covers.

Pub Date: July 23, 2019

ISBN: 978-0-06-239001-1

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: March 31, 2019

Kirkus Reviews Issue: April 15, 2019

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