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THE JILLS

Surprisingly grim and psychologically complex.

When a Buffalo Bills cheerleader goes missing, her friend’s desperate search uncovers a drug network in New York and Ohio.

Performing as a dancer at Buffalo Bills games takes hours and hours of practice and preparation. But Virginia cherishes every opportunity to dance, as well as the tightly knit friendships among the women on the team. Like most of the Jills, she has to supplement her income by teaching fitness classes. Still, it’s a full life—one that she shares with another Jill, her best friend, Jeanine. One week, Jeanine doesn’t show up to dance at the game; Virginia is worried, and as the days pass with no word from Jeanine, her absence seems more and more ominous. Neither her wealthy boyfriend nor her trying-to-get-straight ex have seen Jeanine. Virginia’s investigations begin to uncover secrets and contradictions that make her even more concerned about her friend and start to send her into a spiral of her own, bringing up memories of everything she did to help her sister Laura kick a drug habit a few years earlier. Eventually, she has to turn to Laura for help, and they get pulled deeper and deeper into the dark side of Buffalo—the world of organized crime. Parkman spends a great deal of time in the early pages establishing the framework of the Jills as both a liberating and restricting force in Virginia’s life; as the novel progresses, though some of the friendships remain core, the dance troupe takes on much more sinister overtones through its connections to mob families. Parkman may have begun this novel with the intention, as she writes in an author’s note, of shedding light on the complex experiences of women in these NFL troupes, but it becomes a more traditional thriller—less commentary, more action—as the plot unfolds. Virginia all but leaves the Jills behind as she digs desperately into this mystery that overlaps with trauma in her past.

Surprisingly grim and psychologically complex.

Pub Date: Jan. 6, 2026

ISBN: 9780593982921

Page Count: 384

Publisher: Ballantine

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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