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THE END OF MEN

Creates more sympathy for its male characters than its female ones.

Four New York women juggle family and career, generally preferring the latter to the former.

“Did you see that article in the paper the other day? A scientist in Australia found a way to fertilize eggs without sperm.…It’s the end of men,” reports Maggie, one of four gal pals at the center of Rinaldi’s uninspired debut. Maggie, Beth, and Anna work for a company called Red Hot Mama, a manufacturer of controversial sexy lingerie for pregnant and nursing women, the ongoing target of angry demonstrations and threatening mail. Anna’s sister, Isabel, is an associate publisher at a magazine called Pink. Barely pregnant, she learns that her boss thinks “we should hire women who are either too old to get pregnant or too ugly to get knocked up—haha!” When she calls Anna to report this, Anna tells her not to worry. “The feeling that the world will no longer value you because you are going to be a mother will disappear once you realize that you’ll get better at your job because the bullshit will become meaningless and will roll off your back.” If you have a low tolerance for clunky, didactic dialogue, this is not the book for you; dated-feeling feminist ideas take precedence over both character development and plot. Isabel’s husband is out of town a lot so she cheats on him with an ex throughout her entire pregnancy. Anna is really angry because her husband doesn’t help enough with the kids and she’s pregnant again. Beth is raising a kid on her own as the HIV-positive father approaches his demise. Then there’s Maggie, who, like the protagonist of the movie Maggie’s Plan, has gotten sick of the man she stole from his first wife and is now plotting to give him back. According to the author’s note, she had given up on this novel when she narrated part of its plotline to director Rebecca Miller, who made it into a movie. This is now considered a selling point of the book, printed on the cover and discussed in a foreword, though it’s not clear why.

Creates more sympathy for its male characters than its female ones.

Pub Date: June 20, 2017

ISBN: 978-0-06-256899-1

Page Count: 352

Publisher: Harper Perennial/HarperCollins

Review Posted Online: March 20, 2017

Kirkus Reviews Issue: April 1, 2017

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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