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TO TRUST A STRANGER

No surprises here, but the faithful won’t care. Plus, the appealing hero pretty much makes up for the clueless heroine.

In this tough, sensual romantic mystery from the prolific and popular Robards (Ghost Moon, 2000, etc.), a drag queen and beauty queen fall in love . . . but can they escape the hit man who’s been hired to murder them both?

Hey, cop-turned-private investigator Mac McQuarry isn’t really a drag queen; he got dolled up in a platinum-blond wig, fake boobs, and stilettos to get the goods on a cheating husband with a taste for transvestites. He recognized the former Miss South Carolina the second he saw Julie Carlson sprawled on the asphalt of the sex-club parking lot crying her eyes out. Her Jaguar just got carjacked—happens all the time in Charleston’s roughest neighborhood. But what’s Julie doing there in the middle of the night wearing only pink satin tap pants and matching camisole? Mac wants answers, so he drives her to his apartment, where he slips into some faded jeans and nothing else. Wowed by his muscular bare chest but still thinking he’s gay, Julie explains that she impulsively decided to follow her cheating husband, who’s been sneaking out at night. Although Julie doesn’t know it, Sid Carlson is Mac’s worst enemy. The vicious, cold-hearted scion of a rich, mob-connected family undoubtedly got Mac kicked off the force and probably had something to do with big brother Daniel McQuarry’s disappearance years ago—at about the same time Sid’s first wife, Kelley, vanished. Despite all these suspicious circumstances, naive Julie isn’t sure she wants a divorce. What if she has to go back to the trailer park she came from and give up her lucrative beauty-pageant dress business? How can she possibly be in love with a man who calls himself “Debbie”? By the time she figures out Mac is straight, a cat-and-mouse chase with a shadowy killer is underway.

No surprises here, but the faithful won’t care. Plus, the appealing hero pretty much makes up for the clueless heroine.

Pub Date: Dec. 11, 2001

ISBN: 0-671-78653-9

Page Count: 384

Publisher: Pocket

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2001

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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