A methodically paced but wholly engaging literary tale that revels in its dreamlike plot.
In this psychological thriller, an author hoping to match her bestselling debut’s success signs a lucrative contract that nudges her into a nightmarish world.
Alexa Wainwright has written quite a few novels since her first book. But while A Foregone Conclusion stayed at No. 1 for a year, her subsequent works haven’t cracked the top 10. Her chance to be a winner again comes from her copy editor, Margaret Hathaway, who introduces Alexa to Alex. His last name is eerily Wainwright, and he is a dead ringer for Foregone character Rick. Alex wants to make Alexa’s not-yet-completed trilogy into a film, but she resists, as the movie adaptation of her debut bombed. The full offer from the company Alex represents, Trinity of Sixes, is unbelievable, promising millions for movies and future books. Reluctant, Alexa meets CEO/Chairman King Blakemore, a surreal encounter in which the novelist is disoriented and sees others resembling characters from her stories. She’s later shocked to learn she has evidently signed a contract with the company. As Trinity slowly turns her newest psychological tale into an erotica piece for mass appeal, Alexa is stuck; the contract language keeps inexplicably changing, closing off potential loopholes. She’s soon certain the company name is a sign: Alexa has made a deal with the devil. Bell’s (Sunspots, 2012, etc.) novel is a sometimes-convoluted but riveting story. Readers, for example, will be just as startled as Alexa by plot twists: her apparent doppelgänger; the suddenly appearing basement door in her home; and a surprising death or two. Answers aren’t easy to come by, which is befitting of the protagonist, who entertains notions that she’s being drugged, hallucinating, or perhaps losing her mind. Regardless, her plight is grounded by her parallel, Jodie, her more relatable literary character drawn to abusive relationships, akin to Alexa’s inability to escape the ruthless contract. The final act addresses various mysteries, including Alexa’s murky history (she isn’t sure of her mother’s birth date), while the ending is appropriately—and smartly—open to interpretation.
A methodically paced but wholly engaging literary tale that revels in its dreamlike plot.Pub Date: Sept. 13, 2017
ISBN: 978-1-5497-7232-0
Page Count: 222
Publisher: CreateSpace
Review Posted Online: Jan. 16, 2018
Review Program: Kirkus Indie
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
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