A methodically paced but wholly engaging literary tale that revels in its dreamlike plot.
In this psychological thriller, an author hoping to match her bestselling debut’s success signs a lucrative contract that nudges her into a nightmarish world.
Alexa Wainwright has written quite a few novels since her first book. But while A Foregone Conclusion stayed at No. 1 for a year, her subsequent works haven’t cracked the top 10. Her chance to be a winner again comes from her copy editor, Margaret Hathaway, who introduces Alexa to Alex. His last name is eerily Wainwright, and he is a dead ringer for Foregone character Rick. Alex wants to make Alexa’s not-yet-completed trilogy into a film, but she resists, as the movie adaptation of her debut bombed. The full offer from the company Alex represents, Trinity of Sixes, is unbelievable, promising millions for movies and future books. Reluctant, Alexa meets CEO/Chairman King Blakemore, a surreal encounter in which the novelist is disoriented and sees others resembling characters from her stories. She’s later shocked to learn she has evidently signed a contract with the company. As Trinity slowly turns her newest psychological tale into an erotica piece for mass appeal, Alexa is stuck; the contract language keeps inexplicably changing, closing off potential loopholes. She’s soon certain the company name is a sign: Alexa has made a deal with the devil. Bell’s (Sunspots, 2012, etc.) novel is a sometimes-convoluted but riveting story. Readers, for example, will be just as startled as Alexa by plot twists: her apparent doppelgänger; the suddenly appearing basement door in her home; and a surprising death or two. Answers aren’t easy to come by, which is befitting of the protagonist, who entertains notions that she’s being drugged, hallucinating, or perhaps losing her mind. Regardless, her plight is grounded by her parallel, Jodie, her more relatable literary character drawn to abusive relationships, akin to Alexa’s inability to escape the ruthless contract. The final act addresses various mysteries, including Alexa’s murky history (she isn’t sure of her mother’s birth date), while the ending is appropriately—and smartly—open to interpretation.
A methodically paced but wholly engaging literary tale that revels in its dreamlike plot.Pub Date: Sept. 13, 2017
ISBN: 978-1-5497-7232-0
Page Count: 222
Publisher: CreateSpace
Review Posted Online: Jan. 16, 2018
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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