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TROPIC OF ORANGE

Yamashita (Brazil-Maru, 1992; In the Arc of the Rain Forest, 1990) now turns her political concerns into an ambitious but cluttered, apocalyptic riff on immigration, the homeless, and NAFTA as the Tropic of Cancer moves north. Like the TV news program that Japanese-American Emi, a television executive, is responsible for, the novel cuts from scene to scene, character to character. And, again like the news, the effect, despite the underlying political preoccupations, is more often an incoherent collage than a cohesive commentary or convincing, perceptive interpretation of what ails society. Down in Mexico, where Rafaela is supervising construction of Chicano journalist Gabriel's house, she discovers a particularly nasty thug dealing in human body parts and flees north. Simultaneously, oranges filled with poison arrive from Mexico, killing innocent buyers and, in one instance, causing an accident that closes L.A.'s Harbor Freeway. The shut-down leads to a riot, the riot leads to a brutal shoot-out, and the shoot-out leads to the National Guard being brought in to restore order. But order, of course, can't really be recovered. As Emi, Gabriel's lover, hastens to cover the action—the cars abandoned by their owners on the freeway are mysteriously taken over by the homeless, who plant gardens under the hoods—Gabriel picks up the trail of the shadowy figure selling freshly harvested body parts to ill, wealthy Angelenos. Meanwhile, Bobby, Rafaela's Chinese husband, helps an illegal immigrant; Buzzman, a good samaritan in the 'hood, becomes a TV star; Archangel, a mysterious performance artist, heads to L.A. to wrestle with SUPERNAFTA in the ultimate wrestling contest; and, above the almost motionless freeways, an old Japanese man conducts an imaginary orchestra. Yamashita clearly means to offer some kind of wake-up call, but it gets lost in the profusion of plotlines and characters. Los Angeles's own apocalypse, with a great cast but poor direction and a story too rigorously intent on sending a message.

Pub Date: Sept. 1, 1997

ISBN: 1-56889-064-0

Page Count: 275

Publisher: Coffee House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1997

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HOME FRONT

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 18, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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