Although the narrative can be painfully slow, White skillfully juggles the deceptions that nurture the novel's enigmas,...
A new bride who moves to St. Simons, a Georgia barrier island, finds that she has deeper ties to her home than she ever suspected.
Ava, the only daughter of a funeral director, shocks her family, especially her mother, Gloria, with her whirlwind marriage to Matthew Frazier, whom she met at a medical conference (she’s a midwife, he’s a pediatric psychologist) only months before. Gloria can’t bring herself to speak to her daughter, much to the chagrin of Ava’s 90-plus grandmother Mimi. The marriage is especially baffling to Gloria because Ava, with her lifelong water phobia and persistent nightmares of drowning, will be living in the seaside house which has been in the Frazier family for centuries. Once she’s carried over the threshold, the mysteries of the old, though immaculately renovated, house, and the island it’s on, crowd in on Ava. Among them: Why didn’t Matthew ever mention his first wife, Adrienne, an artist? What did John, Adrienne’s brother, mean when he says his family thinks Matthew killed Adrienne, when her death (by drowning after her car went over a bridge) was clearly an accident? Why does Matthew keep hiding Adrienne’s papers and memorabilia from Ava? As Tish, a family friend, encourages Ava to do historical research about the Fraziers, Ava begins to suspect that her visceral attraction to Matthew may only be explainable as a carry-over from a former life. But whose? Occasional interspersed chapters, set in the early 1800s, provide a clue, as Matthew’s ancestor Geoffrey and his wife Pamela (a midwife herself) deal with sterility, resentful siblings and infidelity. Further perplexing puzzles: How did Ava sustain fractures before the age of two? Why did her family, who once lived on St. Simons, move inland? Who originally owned a music box blown in by a tornado and an ancient wedding band inscribed “Forever?”
Although the narrative can be painfully slow, White skillfully juggles the deceptions that nurture the novel's enigmas, until the surprising truth emerges.Pub Date: June 5, 2012
ISBN: 978-0-451-23676-0
Page Count: 416
Publisher: NAL Accent/Berkley
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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