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WOMEN'S WORK

A novel of ideas can easily become righteous and preachy; this thoughtful matriarchal tale impressively rises above that.

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Finally in charge of the planet, women resolve to do a better job than men; but for all their good intentions, Utopia eludes them in this study of human nature and gender roles.

In this debut novel, the war to end all wars has been accomplished in the not-too-distant future for the simple reason that the world has run out of men and materiel to fight anymore. The countryside has been reduced to rubble and most men are dead or presumed so. Not coincidentally, in a wave of vicious misogyny, women had been severely oppressed. Now, it is 10 years after, and the roles are reversed. Through sheer grit, women continue to dig out of the ruins and vow to make a brave, new matriarchal world. But they must always be on guard against roving bands of “raiders,” men bent on pillage, rape, and worse. (A few men are accepted, but they are literally house husbands.) Kate Decker is making a go of it on her farm with her twins, Margaret and Laura, and son, Jonah. One night, a man emerges from the forest begging help for his sick boy, Evan. Thus begins the tentative, tortured relationship between Kate and Michael MacGregor, who has in effect kidnapped his own son so that he will not lose him. If the women in town find out, they will take young Evan and probably kill Michael. With so much hatred, can a true balance ever be achieved? Aguila is a remarkably talented novelist. Her vivid passages paint a fractured society; one female character says of men: “We buried all of them. Even the ones who survived.” The author is not afraid to let a scene grow at its own pace, and virtually everything rings true here. And this engrossing tale is wonderfully balanced with fully developed characters: readers understand what fear and loathing have done to most of these women (even to Kate near the end). But they also know that Michael is a good man and should not be tarred with the same brush aimed at most of his sex. Men and women will react differently to the story, but both should find much to ponder (attention, book clubs). In the end, readers are forced to examine the tragedies that evil can wreak.

A novel of ideas can easily become righteous and preachy; this thoughtful matriarchal tale impressively rises above that.

Pub Date: Nov. 18, 2013

ISBN: 978-0-9911650-0-1

Page Count: 298

Publisher: Coley Press

Review Posted Online: June 22, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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