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WOMEN'S WORK

A novel of ideas can easily become righteous and preachy; this thoughtful matriarchal tale impressively rises above that.

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  • Kirkus Reviews'
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Finally in charge of the planet, women resolve to do a better job than men; but for all their good intentions, Utopia eludes them in this study of human nature and gender roles.

In this debut novel, the war to end all wars has been accomplished in the not-too-distant future for the simple reason that the world has run out of men and materiel to fight anymore. The countryside has been reduced to rubble and most men are dead or presumed so. Not coincidentally, in a wave of vicious misogyny, women had been severely oppressed. Now, it is 10 years after, and the roles are reversed. Through sheer grit, women continue to dig out of the ruins and vow to make a brave, new matriarchal world. But they must always be on guard against roving bands of “raiders,” men bent on pillage, rape, and worse. (A few men are accepted, but they are literally house husbands.) Kate Decker is making a go of it on her farm with her twins, Margaret and Laura, and son, Jonah. One night, a man emerges from the forest begging help for his sick boy, Evan. Thus begins the tentative, tortured relationship between Kate and Michael MacGregor, who has in effect kidnapped his own son so that he will not lose him. If the women in town find out, they will take young Evan and probably kill Michael. With so much hatred, can a true balance ever be achieved? Aguila is a remarkably talented novelist. Her vivid passages paint a fractured society; one female character says of men: “We buried all of them. Even the ones who survived.” The author is not afraid to let a scene grow at its own pace, and virtually everything rings true here. And this engrossing tale is wonderfully balanced with fully developed characters: readers understand what fear and loathing have done to most of these women (even to Kate near the end). But they also know that Michael is a good man and should not be tarred with the same brush aimed at most of his sex. Men and women will react differently to the story, but both should find much to ponder (attention, book clubs). In the end, readers are forced to examine the tragedies that evil can wreak.

A novel of ideas can easily become righteous and preachy; this thoughtful matriarchal tale impressively rises above that.

Pub Date: Nov. 18, 2013

ISBN: 978-0-9911650-0-1

Page Count: 298

Publisher: Coley Press

Review Posted Online: June 22, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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