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BAD PIRATE

Arrrrguably the best piratical dogfight you’ll ever sink your teeth into.

Wicked smart pacing and playful art tell the tale of a pirate too doggone loyal for her own good.

Capt. Barnacle Garrick may be the scurviest cur (literally—he’s a springer spaniel) to sail the seven seas, but his blue-eyed daughter Augusta is kind, considerate, and caring. In short, she’s a very bad pirate indeed. Disgusted—she’s more inclined to tuck her bunkmates in than to commit basic forms of piracy—her father admonishes her to “be saucy…bold….But most important, me sea pup, yez gots to be SELFISH!” Augusta tries by purloining a fellow shipmate’s peg leg, but when a squall and a torn mainsail mean almost certain sinking, the feisty sea pup teaches her father and his crew that sometimes it pays to be saucy, bold, and selfless. In a story so packed with piratical jargon and growls that even the most staid and sorry landlubbers will become salty dogs while reading it, it’s Griffiths’ art that takes the wave-swept narrative to another level. Augusta’s charm goes far, and each breed of canine is rendered with a loving hand. Even more delightful are the tiny details. From Augusta’s surreptitious carving of a new peg leg to Garrick’s battles with uniformed mice in an early vignette, young readers will see something new with each turn of the page.

Arrrrguably the best piratical dogfight you’ll ever sink your teeth into. (Picture book. 4-6)

Pub Date: Sept. 1, 2015

ISBN: 978-1-9274-8571-2

Page Count: 32

Publisher: Pajama Press

Review Posted Online: June 9, 2015

Kirkus Reviews Issue: July 1, 2015

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 25, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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LUCY'S LIGHT

Too many bugs, figuratively.

Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.

The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.

Too many bugs, figuratively. (Picture book. 4-6)

Pub Date: Nov. 10, 2015

ISBN: 978-84-16147-00-7

Page Count: 32

Publisher: Cuento de Luz

Review Posted Online: July 21, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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