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SEDUCTION

SEX, LIES, AND STARDOM IN HOWARD HUGHES'S HOLLYWOOD

A lively—and often sordid—Hollywood history.

A history that shows clearly how powerful men exploited actresses long before the #MeToo movement began.

Hollywood historian Longworth (Hollywood Frame by Frame: The Unseen Silver Screen in Contact Sheets, 1951-1997, 2014, etc.) has mined memoirs, biographies, magazines, newspapers, and archives to create an entertaining, gossip-filled portrait of the film capital’s golden age, from the 1920s through the 1960s. Central to the story is the enormously wealthy, paranoid, and erratic Howard Hughes (1905-1976), businessman and aviator, whose self-proclaimed goal was “to become the world’s most famous motion picture producer” and whose leering desire for buxom young actresses represented the proclivities of many other men in the industry. These were women “whose faces and bodies Hughes strove to possess and/or make iconic, sometimes at an expense to their minds and souls.” They were harassed, abused, surveilled, and, in some cases, imprisoned by a man with the money and power to make or break their careers. Hughes, writes the author, “was not the only mogul in Hollywood who profited off treating actresses as sex goddess flavors of the month, good for consumption in a brief window but disposable as soon as the next variety came along,” but he acted “more crudely, and with even less of a regard for the person these actresses were before they came into his life.” Those actresses range from the barely remembered (Billie Dove, Faith Domergue) to major stars: Jean Harlow, Katharine Hepburn (who shared Hughes’ home for a while), Bette Davis, Ida Lupino (whose directing career Hughes supported), Ginger Rogers, Ava Gardner, Lana Turner, and Jean Peters (whom Hughes, uncharacteristically, married). Hughes was so famous that he could lure women merely by promising them future stardom: Choosing a young woman’s photo from a newspaper or magazine, he sent a team of men to track her down, have his own photographer take new pictures, and, if he was pleased, invite her to Hollywood—and took control of her life. The media, dazzled by his self-created myth, perpetuated his image as an iconoclastic folk hero.

A lively—and often sordid—Hollywood history.

Pub Date: Nov. 13, 2018

ISBN: 978-0-06-244051-8

Page Count: 544

Publisher: Custom House/Morrow

Review Posted Online: Sept. 1, 2018

Kirkus Reviews Issue: Sept. 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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