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GLEN AFFRIC

Not twisty or unexpected, but tense—and with a surprising sweetness in the relationship between the brothers.

The American debut from French writer Giebel is a solid if straight-ahead suspense novel about two brothers whom gross injustice seeks out again and again.

Léonard (his name a wink to Steinbeck’s Of Mice and Men) is a large, powerful, sweet-tempered teen who’s relentlessly bullied and taken advantage of because of certain intellectual disabilities. Léonard was a foundling, discovered battered and bruised in a ditch and taken in at age 5 by kind, heartbroken Mona. The boy’s favorite keepsake is a postcard from Glen Affric, Scotland, where he’s been led to believe his brother, Jorge, Mona’s beloved elder son, lives. But Glen Affric is a cover story. Jorge has been convicted of two murders he didn’t commit, and for 16 years he’s been in prison, a status that has cemented the family’s status as shunned and despised outsiders in their town. On the day when Jorge is paroled, Léonard lands in prison himself, briefly but disastrously, after—not knowing his strength—he defends himself too vigorously and injures his tormentors. Léonard emerges from lockup psychologically and physically wounded, and he’s bewildered and upset to learn where Jorge has been. But the vulnerable brothers soon grow close, and as the horrors and injustices continue to mount, they grow ever closer. Jorge is on parole, under constant threat of being returned to prison if he loses his job or responds to the townspeople’s taunts, abuses, provocations. Framed for theft and fired once, he takes on lucrative illicit work and acquires, just in case, a bug-out bag, which he and Léonard bury in the backyard. The reader knows it cannot stay buried for long. Sure enough, Jorge is framed for another murder—of the woman he loves, a restaurateur he felt forced to break up with in order to spare her business and her reputation. The novel, a bit slow to launch, picks up major momentum around its midpoint, when the brothers kidnap a somewhat sympathetic cop and go on the run. The book, and the brothers, are headed to a destination and a denouement that seem predetermined, but Giebel delivers them and us to the rendezvous with some panache.

Not twisty or unexpected, but tense—and with a surprising sweetness in the relationship between the brothers.

Pub Date: Oct. 29, 2024

ISBN: 9780063393929

Page Count: 720

Publisher: HarperVia

Review Posted Online: Aug. 30, 2024

Kirkus Reviews Issue: Oct. 1, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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IT COULD HAVE BEEN HER

A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.

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A middle-aged woman channels her best Miss Marple when she finds herself facing a nightmare from her past as she seeks to make sense of her present.

Jane Trevally is at a crossroads of sorts. After a traumatic childhood, she sought safety and solace in marriages with wealthy men. Now twice divorced and living with her four dogs in the crumbling English country mansion that is her birthright, she’s feeling the need to do something, to take a job, when one day a runaway dog turns up on her doorstep. The dog is chipped, and with the help of a local vet and her loyal stepson, Dexter Lombardi, Jane traces the dog’s home to the edge of Hampstead Heath, in London—a place that brings back the memory of a terrifying night from her youth, when a handsome man picked her up and took her back to this very house. Everything there felt wrong; she just managed to escape, certain that if she had stayed, she would have died that night. Now, soon after knocking on the door and returning the dog, she discovers that he had run away from an Airbnb near her house, where he had been staying with a young woman who seems to have disappeared. With the help of Dexter; his father, Tony, her second ex-husband; Tony’s former security enforcer, Tobias Wilson; and her own gift for connecting with people, Jane sets out to find the woman, taking her first steps on the path to becoming a private investigator. While Jane serves as the heart of the novel, Jewell also narrates chapters from several other characters’ points of view, all of which chip away at the horror that is the house on the Heath. By slowly revealing past and present simultaneously, Jewell keeps the mystery fresh as she plays with Gothic tropes and the timeless imagery of “a house of horrors” embodying human sin. She doesn’t flinch from exploring the depths of depravity in this house—and its humans.

A haunting, timeless exploration of the evil men do—and the imprint it leaves behind.

Pub Date: June 23, 2026

ISBN: 9781668033906

Page Count: 384

Publisher: Atria

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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