Not twisty or unexpected, but tense—and with a surprising sweetness in the relationship between the brothers.
The American debut from French writer Giebel is a solid if straight-ahead suspense novel about two brothers whom gross injustice seeks out again and again.
Léonard (his name a wink to Steinbeck’s Of Mice and Men) is a large, powerful, sweet-tempered teen who’s relentlessly bullied and taken advantage of because of certain intellectual disabilities. Léonard was a foundling, discovered battered and bruised in a ditch and taken in at age 5 by kind, heartbroken Mona. The boy’s favorite keepsake is a postcard from Glen Affric, Scotland, where he’s been led to believe his brother, Jorge, Mona’s beloved elder son, lives. But Glen Affric is a cover story. Jorge has been convicted of two murders he didn’t commit, and for 16 years he’s been in prison, a status that has cemented the family’s status as shunned and despised outsiders in their town. On the day when Jorge is paroled, Léonard lands in prison himself, briefly but disastrously, after—not knowing his strength—he defends himself too vigorously and injures his tormentors. Léonard emerges from lockup psychologically and physically wounded, and he’s bewildered and upset to learn where Jorge has been. But the vulnerable brothers soon grow close, and as the horrors and injustices continue to mount, they grow ever closer. Jorge is on parole, under constant threat of being returned to prison if he loses his job or responds to the townspeople’s taunts, abuses, provocations. Framed for theft and fired once, he takes on lucrative illicit work and acquires, just in case, a bug-out bag, which he and Léonard bury in the backyard. The reader knows it cannot stay buried for long. Sure enough, Jorge is framed for another murder—of the woman he loves, a restaurateur he felt forced to break up with in order to spare her business and her reputation. The novel, a bit slow to launch, picks up major momentum around its midpoint, when the brothers kidnap a somewhat sympathetic cop and go on the run. The book, and the brothers, are headed to a destination and a denouement that seem predetermined, but Giebel delivers them and us to the rendezvous with some panache.
Not twisty or unexpected, but tense—and with a surprising sweetness in the relationship between the brothers.Pub Date: Oct. 29, 2024
ISBN: 9780063393929
Page Count: 720
Publisher: HarperVia
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
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