The first-person voice in this endearingly quirky first novel is so entertaining that it makes up for a lack of transformation on the part of the main characters. Two Washington, DC, residents—landscape architect Jack and artist Nina—break up after living together for several years and one year after chickening out of marriage. Nina leaves Jack for no apparent reason, unless `` `God was sending me a message' '' counts as one. Nina's Italian-American family attempts to intervene, especially her mother, Marie, who informs Jack that Nina has begun seeing an uptight Jewish lawyer who happens to play in Jack's basketball league. Jack's sister Ellen also gets into the act, fixing him up with a divorced SEC lawyer who is so well-adjusted that she seems almost automated. Narrator Jack tells of the pain of their split, making parallels between his beloved operas and his own plight, as well as of his adventures as a single guy, with a tongue-in-cheek slant that makes even the mundane interesting. ``Proper male bonding demands an activity—preferably one involving a ball—to shift the focus from the conversation. You break the news about your impending divorce to your best friend at a batting cage, discuss your father's rapidly failing memory with your brother at putt-putt.'' Washington and its environs are also well drawn. A building sits ``in the heart of new Bethesda, a sterile canyonland of white concrete and red brick that overlays a town I used to love....I miss the human scale of old Bethesda, the smelly dumpsters and shaggy willows and warrens of alleys and ten-car parking lots.'' Ackerman takes some easy but amusing shots at therapy: Nina's new love interest has scheduled screaming sessions with his mother, and Jack's latest lover discusses all sexual details with a therapist. While the book works as a close examination of '90s social angst, Jack and Nina's breakup never seems genuine—especially for such basically earthy characters. A tour of one man's life, with little action but first-rate scenery and commentary.
Pub Date: May 16, 1994
ISBN: 0-312-11037-5
Page Count: 256
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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