by Karl Hiltner ‧ RELEASE DATE: Jan. 13, 2022
An inspired, if uneven, dissection of the nebulousness of life after the upheaval of war.
A debut collection of short stories examines characters who become unmoored by personal and historical circumstances.
Hiltner’s tales explore a cast of characters who are dispossessed in a variety of ways. The author grew up in Ohio but lived and worked for many years abroad, mainly in Germany and Hungary, and these locations come up often in his works. Many are set during the World War II era and afterward, following individual people and families divided by conflict; there are also detours to the American Midwest and, in one story, Africa. The works often employ detached first-person narrators who observe and report more than they actively participate in the stories’ events. Although geopolitics is a thematic element of many of these tales, they are not generally action-oriented, nor are they centered on specific battles or historical figures; rather, they follow everyday people who often recount personal tragedies as they try to pick up the pieces of their lives. In these stories, sons leave their parents (“The Missing Sheep of Coshocton County”) and husbands leave their wives (“Remember Me”); one tells of running a factory in a stable postwar economy (“The Open Window”) and another of a visit to the beach (“Crescent Beach”). At least three stories include a suicide, and very few of them convey any kind of optimism for the postwar future—or joy for the characters who are living through it. There are some outliers, though, such as “The Double Standard Bra,” which, in fewer than two pages, ponders double standards of sexuality.
The author’s clear research and sense of place supply the European stories with a sense of confidence and authenticity, and the thinly described narrators give many of them an eerie, cautionary quality. There are 22 stories here, and many are on the shorter side and use dialogue sparingly; as a result, some feel as though they might have benefited by more clearly expressing characters’ personalities and motives. Many seem to be on the cusp of poignancy, but abrupt ends or time skips undermine their significance. “Beneath the Balboa Tree of Guescheme” stands out as one of the most fully realized works. It follows Baptist missionaries in Africa who witness the genital mutilation of a group of young local girls, relaying their experiences in dialogue and diary entries. It does not, however, deeply examine the implications of missionaries visiting African countries, and it seems to exoticize Muslim African communities. Overall, Hiltner’s prose is utilitarian, and the strongest lines come from narrators’ internalization of their bleak circumstances and observations on how time shapes our perceptions of suffering: “Perhaps the passing of a generation would settle long ago questions….The important thing was so simple, like the sitting in an orchard, and the taste of a pilsner. Perhaps there was no freedom and there was no tether. Perhaps the one who is tied is free, and the one who is free is tethered.” An inspired, if uneven, dissection of the nebulousness of life after the upheaval of war.Pub Date: Jan. 13, 2022
ISBN: 9798985215410
Page Count: 166
Publisher: Kniemst Press
Review Posted Online: Dec. 28, 2022
Review Program: Kirkus Indie
Share your opinion of this book
More by Karl Hiltner
BOOK REVIEW
by Karl Hiltner
BOOK REVIEW
by Karl Hiltner
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
Awards & Accolades
Likes
223
Our Verdict
GET IT
New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
Share your opinion of this book
More About This Book
SEEN & HEARD
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Share your opinion of this book
More by Fredrik Backman
BOOK REVIEW
by Fredrik Backman translated by Neil Smith
BOOK REVIEW
BOOK REVIEW
by Fredrik Backman ; translated by Neil Smith
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.