by Karl Hiltner ‧ RELEASE DATE: March 2, 2022
Dark, thoughtful stories, hampered by a lack of concreteness and intimacy.
Hiltner’s short story collection explores loss, alienation, and regret.
The author assembles nearly two dozen short stories, most of them so brief the entire books falls well short of 200 pages. They are impressionistic glimpses of time, painted in the broadest of literary strokes. Most of the stories assembled are presented by an unnamed narrator who communicates in informally anecdotal terms. The brevity of the pieces leaves little room for intricate plots and character development; in fact, the author often doesn’t name the people in his narratives. Hiltner seems much more interested in conjuring a saturnine atmosphere, a gloomy ambience meant to haunt rather than titillate. In “Tecumseh,” an old Native American hermit occupies the land that once belonged to his forebears and quietly whiles away his days until he dies. The narrator of the story relates his remembrance of the old man—“Tecumseh” is the name White people dismissively give him—and the fear his inscrutability instilled in the narrator as a 12-year-old boy. While there is virtually no plot, Hiltner evokes a sense of anguished but dignified loss on the part of Tecumseh, who is simultaneously proud of his heritage and mortified by its destruction. Similarly, in “Jim, Nell, and Kate,” Vernon, a farmer, bitterly disappointed by life and hopelessly locked in a “loveless marriage of convenience,” expresses his frustration through cruelty to his family, though he treats his horses well. Again, there is little plot to speak of, but the author deftly paints a portrait of a man defeated, developing Vernon into the most fully realized character in the entire collection.
For the most part, Hiltner’s prose is plainly foursquare, unembellished, and lucid (“There was always the smell and always the sun. It was there when you deplaned in Tan Son Nhat, you could not escape it once you arrived, and for the rest of your life you could never be free from the memory of the smell of Vietnam.”) When he reaches for emotional heights, he sometimes strains laboriously, missing poignancy and hitting earnest sentimentality. In “There is Something I Want to Tell You,” two brothers fight overseas in World War II—both are unnamed, which contributes to the tale’s sterility—but only the younger brother makes it home. When the war’s end was in sight, the older brother expressed a desire to meet his younger brother in England, and it tortures the younger man to never know why: “He would never understand that all it was, was a way for the older to say goodbye, to say he was not coming home to the family, or to his store, or to the places in which they had grown up.” The story feels like an abstraction— neither the characters nor their lives feel substantial, and as a result the despair the younger brother suffers remains remote from the reader. This is the characteristic failing of the entire collection—while all the stories are thoughtfully rendered, they are often so threadbare they lack dramatic resonance. The stories feel like sketches to be more thoroughly elaborated upon at a later date, or academic exercises assigned in a collegiate writing class.
Dark, thoughtful stories, hampered by a lack of concreteness and intimacy.Pub Date: March 2, 2022
ISBN: 9798985215427
Page Count: 175
Publisher: Kniemst Press
Review Posted Online: March 8, 2023
Review Program: Kirkus Indie
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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