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SURRENDER AND OTHER STORIES

Dark, thoughtful stories, hampered by a lack of concreteness and intimacy.

Hiltner’s short story collection explores loss, alienation, and regret.

The author assembles nearly two dozen short stories, most of them so brief the entire books falls well short of 200 pages. They are impressionistic glimpses of time, painted in the broadest of literary strokes. Most of the stories assembled are presented by an unnamed narrator who communicates in informally anecdotal terms. The brevity of the pieces leaves little room for intricate plots and character development; in fact, the author often doesn’t name the people in his narratives. Hiltner seems much more interested in conjuring a saturnine atmosphere, a gloomy ambience meant to haunt rather than titillate. In “Tecumseh,” an old Native American hermit occupies the land that once belonged to his forebears and quietly whiles away his days until he dies. The narrator of the story relates his remembrance of the old man—“Tecumseh” is the name White people dismissively give him—and the fear his inscrutability instilled in the narrator as a 12-year-old boy. While there is virtually no plot, Hiltner evokes a sense of anguished but dignified loss on the part of Tecumseh, who is simultaneously proud of his heritage and mortified by its destruction. Similarly, in “Jim, Nell, and Kate,” Vernon, a farmer, bitterly disappointed by life and hopelessly locked in a “loveless marriage of convenience,” expresses his frustration through cruelty to his family, though he treats his horses well. Again, there is little plot to speak of, but the author deftly paints a portrait of a man defeated, developing Vernon into the most fully realized character in the entire collection.

For the most part, Hiltner’s prose is plainly foursquare, unembellished, and lucid (“There was always the smell and always the sun. It was there when you deplaned in Tan Son Nhat, you could not escape it once you arrived, and for the rest of your life you could never be free from the memory of the smell of Vietnam.”) When he reaches for emotional heights, he sometimes strains laboriously, missing poignancy and hitting earnest sentimentality. In “There is Something I Want to Tell You,” two brothers fight overseas in World War II—both are unnamed, which contributes to the tale’s sterility—but only the younger brother makes it home. When the war’s end was in sight, the older brother expressed a desire to meet his younger brother in England, and it tortures the younger man to never know why: “He would never understand that all it was, was a way for the older to say goodbye, to say he was not coming home to the family, or to his store, or to the places in which they had grown up.” The story feels like an abstraction— neither the characters nor their lives feel substantial, and as a result the despair the younger brother suffers remains remote from the reader. This is the characteristic failing of the entire collection—while all the stories are thoughtfully rendered, they are often so threadbare they lack dramatic resonance. The stories feel like sketches to be more thoroughly elaborated upon at a later date, or academic exercises assigned in a collegiate writing class.

Dark, thoughtful stories, hampered by a lack of concreteness and intimacy.

Pub Date: March 2, 2022

ISBN: 9798985215427

Page Count: 175

Publisher: Kniemst Press

Review Posted Online: March 8, 2023

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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  • New York Times Bestseller

A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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