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THE HITCHHIKER AND OTHER TRUE STORIES

An inspired, if uneven, dissection of the nebulousness of life after the upheaval of war.

A debut collection of short stories examines characters who become unmoored by personal and historical circumstances.

Hiltner’s tales explore a cast of characters who are dispossessed in a variety of ways. The author grew up in Ohio but lived and worked for many years abroad, mainly in Germany and Hungary, and these locations come up often in his works. Many are set during the World War II era and afterward, following individual people and families divided by conflict; there are also detours to the American Midwest and, in one story, Africa. The works often employ detached first-person narrators who observe and report more than they actively participate in the stories’ events. Although geopolitics is a thematic element of many of these tales, they are not generally action-oriented, nor are they centered on specific battles or historical figures; rather, they follow everyday people who often recount personal tragedies as they try to pick up the pieces of their lives. In these stories, sons leave their parents (“The Missing Sheep of Coshocton County”) and husbands leave their wives (“Remember Me”); one tells of running a factory in a stable postwar economy (“The Open Window”) and another of a visit to the beach (“Crescent Beach”). At least three stories include a suicide, and very few of them convey any kind of optimism for the postwar future—or joy for the characters who are living through it. There are some outliers, though, such as “The Double Standard Bra,” which, in fewer than two pages, ponders double standards of sexuality.

The author’s clear research and sense of place supply the European stories with a sense of confidence and authenticity, and the thinly described narrators give many of them an eerie, cautionary quality. There are 22 stories here, and many are on the shorter side and use dialogue sparingly; as a result, some feel as though they might have benefited by more clearly expressing characters’ personalities and motives. Many seem to be on the cusp of poignancy, but abrupt ends or time skips undermine their significance. “Beneath the Balboa Tree of Guescheme” stands out as one of the most fully realized works. It follows Baptist missionaries in Africa who witness the genital mutilation of a group of young local girls, relaying their experiences in dialogue and diary entries. It does not, however, deeply examine the implications of missionaries visiting African countries, and it seems to exoticize Muslim African communities. Overall, Hiltner’s prose is utilitarian, and the strongest lines come from narrators’ internalization of their bleak circumstances and observations on how time shapes our perceptions of suffering: “Perhaps the passing of a generation would settle long ago questions….The important thing was so simple, like the sitting in an orchard, and the taste of a pilsner. Perhaps there was no freedom and there was no tether. Perhaps the one who is tied is free, and the one who is free is tethered.” An inspired, if uneven, dissection of the nebulousness of life after the upheaval of war.

Pub Date: Jan. 13, 2022

ISBN: 9798985215410

Page Count: 166

Publisher: Kniemst Press

Review Posted Online: Dec. 28, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE GOD OF THE WOODS

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

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Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.

One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.

"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.

Pub Date: July 2, 2024

ISBN: 9780593418918

Page Count: 496

Publisher: Riverhead

Review Posted Online: April 13, 2024

Kirkus Reviews Issue: May 15, 2024

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