An engagingly wide-ranging set of meditations.
The acclaimed author delivers a host of brief but insightful observations about the small matters of everyday life.
In the My Struggle series, Knausgaard mined his life but called it fiction, crafting an epic story with a novelistic shape. This book, the first in a quartet with seasonal themes, is explicitly autobiographical but less personally revealing, looking outward instead of inward. Contemplating the upcoming birth of his daughter, the author asks, “what makes life worth living?” The answer: details. The book is built on an assortment of short essays on a wide range of topics, including frogs, photographs, beds, and tin cans. “Autumn” is a framing device, but not every essay engages with the season. What truly unites these pieces is Knausgaard’s sensibility, which is one part Montaigne (an urge to address big issues), one part Nicholson Baker (an eye for picayune detail), and one part Annie Dillard (an admiration for nature and an elegant prose style). Watching beekeepers, he finds an intersection of man and nature that "shows human beings at their most subservient and perhaps also at their most beautiful.” “Fever” triggers memories of his parents doting on his childhood illnesses. (“With fever came privileges. Meals in bed. Grapes. New comic books.”) “Forgiveness” is a sketch about his wonderment at how humans could culturally arrive at a capacity for mercy. Considering bird migrations, he finds not a clichéd sense of freedom but evidence of nature’s boundaries. Because each chapter is brief, usually about three pages, Knausgaard can’t deliver more than glancing consideration of any one subject, and three pages each on female genitalia and vomit is more than plenty. But in the aggregate, the pieces feel remarkably substantive, a call to pay closer attention to the routine stuff in our lives and to allow ourselves to be thunderstruck by their beauty.
An engagingly wide-ranging set of meditations.Pub Date: Aug. 22, 2017
ISBN: 978-0-399-56330-0
Page Count: 240
Publisher: Penguin Press
Review Posted Online: May 1, 2017
Kirkus Reviews Issue: May 15, 2017
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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