A patient exploration of courtship and fatherhood stripped clean of politesse.
Raising a family, making art and the difficulty of reconciling the two drives the remarkable second installment of this six-volume novel-as-memoir.
At the end of the first volume of this series, Knausgaard (Out of This World, 2005; A Time for Everything, 2009) recalled bumbling as an adolescent and burying his father as an adult. This time, he remembers falling in love and becoming a father himself. As the novel-memoir opens, he’s at loose ends with his wife, Linda, and three children, whom he can’t help but see as intrusions upon his efforts to write. From there, the story swings back to nine years earlier as he leaves Norway for Stockholm, where he meets Linda in 1999 at a writers’ seminar, falls in love and starts a family. Knausgaard’s strategy throughout the series is to build immersive effects by delivering highly detailed descriptions of his minor experiences and paths of thought; in this case, much of the heart of the book is taken up by Linda’s pregnancy and their anticipation of their first child, from crib shopping to miscarriage scares to the actual birth itself. He presents all of it in plainspoken terms; the power and relief of the birth isn’t drawn in triumphant rhetoric but in a sense of exhaustion. (“Two women began to tidy up around us as we watched this creature that was suddenly there.”) Knausgaard doesn’t always present himself as father-of-the-year material, sweating how much time he’ll have to research and write his second novel and squabbling with his family and fussy neighbors in the search for some peace and quiet. “Relationships were there to eradicate individuality, to fetter freedom and suppress that which was pushing through,” he whimpers. But his candor, if not his attitude, is admirable—he’s not rationalizing his behavior but flatly, honestly representing it.
A patient exploration of courtship and fatherhood stripped clean of politesse.Pub Date: May 14, 2013
ISBN: 978-1-935744-82-5
Page Count: 573
Publisher: Archipelago
Review Posted Online: Jan. 28, 2015
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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