Greenfeld spares neither himself nor his brother in this painfully honest, revealing memoir.
A wrenching account of growing up with a profoundly autistic younger brother.
Journalist Greenfeld (China Syndrome: The True Story of the 21st-Century’s First Great Epidemic, 2006, etc.) is the brother of Noah, for a time the best-known autistic child in the country. In a trilogy of books about Noah by their father Josh—beginning in 1972 with A Child Called Noah—the author is “a bit player who provides interesting contrast to his autistic brother but little more than that.” Here, Greenfeld begins with his early memories as a toddler in the mid ’60s. In 1971 the family moved from New York to California in a desperate search for help for Noah. The author then jumps ahead to his adolescent years in Pacific Palisades, where he, with his Japanese mother, Jewish father and a bizarrely behaving, disabled kid brother, was a social misfit. While the author got involved in petty crime, drugs and imaginary war games, family life revolved around Noah, whom he both resented and loved. Eventually Greenfeld and his parents moved to a new house, leaving Noah in their old one with a caretaker. With the new arrangement, Noah began to recede from his life, and Greenfeld began his own rocky climb to maturity. Memoir turns smoothly to fictional imagining in the later sections as the author thinks about Noah transforming into a brother who can talk to him and share experiences. But in the final pages he abruptly shifts back to harsh reality. Woven into this moving personal story is an account of the changing scientific approaches to autism, from Bruno Bettelheim’s claim that cold mothers were the cause and the key to treatment, to the adherents of B.F. Skinner, who saw operant conditioning as the answer. With inadequate resources and conflicting research, parents of autistic children grasp at misleading claims. As Greenfeld makes clear, while early intervention may help the very young, for autistic adults, like his brother, the situation is exceedingly bleak.
Greenfeld spares neither himself nor his brother in this painfully honest, revealing memoir.Pub Date: May 12, 2009
ISBN: 978-0-06-113666-5
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2009
Riveting and exquisitely crafted.
Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.
Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.
Riveting and exquisitely crafted.Pub Date: Jan. 19, 2010
ISBN: 978-0-06-621131-2
Page Count: 304
Publisher: Ecco/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2009
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
For the author’s fans.
A Fox News journalist and talk show host sets out to prove that she is not “an empty St. John suit in five-inch stiletto heels.”
The child of devout Christians, Minnesota native Carlson’s first love was music. She began playing violin at age 6 and quickly revealed that she was not only a prodigy, but also a little girl who thrived on pleasing audiences. Working with top teachers, she developed her art over the years. But by 16, Carlson began “chafing at [the] rigid, structured life” of a concert violinist–in-training and temporarily put music aside. At the urging of her mother, the high achiever set her sights on winning the Miss T.E.E.N. pageant, where she was first runner-up. College life at Stanford became yet another quest for perfection that led Carlson to admit it was “not attainable” after she earned a C in one class. At the end of her junior year and again at the urging of her mother, Carlson entered the 1989 Miss America pageant, which she would go on to win thanks to a brilliant violin performance. Dubbed the “smart Miss America,” Carlson struggled with pageant stereotypes as well as public perceptions of who she was. Being in the media spotlight every day during her reign, however, also helped her decide on a career in broadcast journalism. Yet success did not come easily. Sexual harassment dogged her, and many expressed skepticism about her abilities due to her pageant past. Even after she rose to national prominence, first as a CBS news broadcaster and then as a Fox talk show host, Carlson continued—and continues—to be labeled as “dumb or a bimbo.” Her history clearly demonstrates that she is neither. However, Carlson’s overly earnest tone, combined with her desire to show her Minnesota “niceness…in action,” as well as the existence of “abundant brain cells,” dampens the book’s impact.
For the author’s fans.Pub Date: June 16, 2015
ISBN: 978-0-525-42745-2
Page Count: 272
Publisher: Viking
Review Posted Online: March 27, 2015
Kirkus Reviews Issue: April 15, 2015
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