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DR. J

THE AUTOBIOGRAPHY

A good enough treatment of the phenomenon called “Dr. J” and an especially thoughtful account of the man, Julius Erving.

The NBA’s most transformative player submits an unusually revealing autobiography.

During the 1970s, when officials still bothered to call traveling and palming violations, the high-flying Erving arrived and, nevertheless, managed to do things with a basketball no one had ever seen. For years, basketball’s best-kept secret, “Dr. J” (“more moves than Dr. Carter has liver pills”) played his college ball at low-profile UMass and then for five years with the fledgling ABA, a league with no national TV contract. When the ABA merged with the NBA, Erving signed with the Philadelphia 76ers and played another 11. With Greenfeld’s aid (Triburbia, 2012, etc.), he covers the basketball triumphs, the especially crazy days of the ABA, the All-Star games, the MVP awards and the championships, and he comments throughout on some of his better-known mentors (Bill Russell, Walt Frazier, John Havlicek), teammates (Daryl Dawkins, Moses Malone, Maurice Cheeks) and opponents (Larry Bird, Magic Johnson). Fans will appreciate his surprising takes on players like Pete Maravich, Bernard King and Kareem Abdul-Jabbar, Erving’s own assessment of the evolution of his game, and his tales of mixing with a black elite that included the likes of Bill Cosby, Arthur Ashe and Miles Davis. They might not expect the attention he devotes to struggle and loss: the premature death of an already absentee father; the spare poverty of his Long Island childhood; the early death of a younger brother to asthma and, later, of an older sister to cancer; the family visits to the Jim Crow South and the adult encounters with the modern civil rights movement; the delinquency of his children and the death of a son; his lifelong struggle with fidelity. Erving’s reverence for rules and order and his simultaneous passion for improvisation have played out in his private life as well, not always to good effect.

A good enough treatment of the phenomenon called “Dr. J” and an especially thoughtful account of the man, Julius Erving.

Pub Date: Nov. 5, 2013

ISBN: 978-0-06-218792-5

Page Count: 448

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 19, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • National Book Award Winner

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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