An engaging and suspenseful look at how the patriarchy shaped women’s lives in the 1950s and continues to do so today.
A wife in 2018 discovers letters and a cookbook from her house’s previous inhabitant—and realizes that their lives might not be so different.
Alice Hale doesn’t want to move from her tiny Manhattan apartment to a fixer-upper in the suburbs. But her husband has long wanted to move out of the city, and Alice, recently out of a job, feels like she doesn’t have a reason to say no. The free time may even give her more of a chance to start her novel-writing career. But when Alice discovers a cookbook and letters left behind by the house’s previous owner, Nellie Murdoch, she gets more inspiration than she bargained for. Alice pores over Nellie’s letters to her mother (mysteriously never mailed) to learn the minutiae of her life as a slightly bored housewife—the cooking, cleaning, and Tupperware parties. Alice even enjoys testing out the cookbook, making vintage recipes like Baked Alaska. But as readers see in chapters from Nellie’s point of view, her life wasn’t just a parade of fancy desserts and dinner parties—she was harshly controlled by her cruel and physically abusive husband. Nellie spent as much time hiding her bruises as she did making a home, being sure to keep the sordid details of her life a secret. Meanwhile, Alice is keeping a few secrets of her own from her husband. He doesn’t know that she was really fired from her last job or that she has no desire to get pregnant with the child he wants to have immediately. But as Nellie gains the courage to take control of her life, so does Alice—even if both of them might have to resort to dramatic measures. Brown (The Life Lucy Knew, 2018, etc.) skillfully alternates between Alice’s modern world and Nellie’s in the 1950s. With plentiful historical details (including recipes and depressingly hilarious marriage advice), the pages devoted to Nellie come to life. As both women both start to feel even more stifled in their marriages, Brown ratchets up the tension and pulls off a surprising—but satisfying—ending.
An engaging and suspenseful look at how the patriarchy shaped women’s lives in the 1950s and continues to do so today.Pub Date: Jan. 21, 2020
ISBN: 978-1-5247-4493-9
Page Count: 336
Publisher: Dutton
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
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