An unusual memoir from an unusual point of view, one that at times recalls Czeslaw Milosz’s The Captive Mind; readable and...
A Polish aristocrat blessed with a considerable sense of noblesse oblige recalls years of resistance to totalitarian rule.
Countess Karolina Lanckoronska, who died in Rome at the age of 104, in 2002, wrote this rich memoir in 1945 and ’46. She sent parts of it to two English publishers, she writes, who rejected it as “too anti-Russian.” A few years later, she sent it to two more publishers, who rejected it as “too anti-German.” In the context of Cold War politics, the publishers were right. In whatever context, Lanckoronska describes, sometimes with considerable indignation, what life was like in Lvov when the Red Army first invaded it under the partition following the Nazi-Soviet pact; a university professor of art history and specialist in the Renaissance, she clearly considered the newcomers barbarians, easily amused by baby rattles and ignorant of how to use a toilet or shower. By her account, the Soviets were also easily misled, childish as they were, yet not without resources and the ability to induce fear: “I was expecting the NKVD every time the doorbell rang,” she writes. With the arrival of the Nazis, she found a new enemy, and so did they. Captured and sentenced to be executed for working with the resistance, she was spared by odd circumstances: One of her interrogators admitted to her that he had participated in the murder of 25 of her fellow professors, and when she brought the matter to another Nazi officer, her sentence was commuted to imprisonment. At Ravensbrück concentration camp, perhaps improbably, she organized her barracks into a miniature university and taught art history to her fellow inmates—and, summoning up the weight of her nobility, also commanded “a degree of orderliness in collective living to ensure that contact with the Germans was kept to the minimum possible.”
An unusual memoir from an unusual point of view, one that at times recalls Czeslaw Milosz’s The Captive Mind; readable and thought-provoking.Pub Date: April 1, 2007
ISBN: 0-306-81537-0
Page Count: 368
Publisher: Da Capo
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2007
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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