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Too Hot to Moo

Children will love Gracie’s actions and expressions and will eagerly ask for rereads so they can chant along with the...

Awards & Accolades

Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2016

What’s a cow to do when her family gets a pool and she’s left alone in her sunny field? Debut author Henwood’s and veteran illustrator Lemaire’s hilarious answer is a delightfully fun read-aloud.

Gracie the cow is so hot she can’t even moo. When she hears the construction on the human side of the fence, she’s curious. What are those construction vehicles doing dumping gray sludge into a big hole in the yard? Young readers will figure out what’s happening before the bovine: the farm family is getting their very own swimming pool to cool off in in the wicked heat. While the farm kids do pour water over Gracie, the relief is short, so when she realizes that the pool is a constant source of water, she charges through the fence and lets out a tremendous “MOO!” before doing “a perfect udder flop right into the deep end!” Not only does she get the water in the pool all muddy, she pees in the shallow end, a gross-out detail sure to delight kids. Despite all the family’s coaxing, once Gracie is in the pool, she intends to stay there, and it takes police cars, a water pump truck, and a crane to move her back to her own side of the fence (which gets fixed while she’s being moved). Once again too hot to moo, Gracie languishes on her side of the fence. But then the construction vehicles are back; this time, however, they’re digging a mud wallow for Gracie. While the story is probably fictional, it feels almost as though it could be real, and kids will enjoy imagining a cow doing a very cowlike dive into a human pool, especially given the gleeful expression on Gracie’s face in Lemaire’s illustration. The only quibble is that the humans are not clearly diverse—and there were opportunities to make them so. Henwood repeats the phrase “Hot, hot, hot, too hot to moo” on several pages throughout the story, giving lap readers a chance to join in chorally and take part in the story. The text design also adds a bonus feature as some of the word layout emphasizes the action: two lines ripple in blue cursive as the water is poured into the pool, and when Gracie breaks through the fence, the text cracks at an angle.

Children will love Gracie’s actions and expressions and will eagerly ask for rereads so they can chant along with the too-hot refrain.

Pub Date: June 2, 2015

ISBN: 978-1-4602-6049-4

Page Count: 40

Publisher: FriesenPress

Review Posted Online: Nov. 18, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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