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LET THE WILD GRASSES GROW

A tender evocation of grief, hope, and dignity.

Struggles and dreams on Colorado’s high plains.

Essayist and memoirist Johnstun makes his fiction debut with an appealing story centered on two families roiled by the Great Depression, dust storms, racism, and war. Della, the bright, ambitious daughter of a Native American mother and Mexican father, and John, a quiet, diffident boy whose Mexican father labors in the coal mines, recount their lives in alternating chapters beginning in 1927, when the two are children in Trinidad, a town in southeastern Colorado “covered in scrub oak and hard dirt.” Della grows up encouraged to achieve. She is too smart to be a ranchero, her father tells her; her brother will inherit the family’s land, he says, and she must go on to do great things. Devouring books about science in the Trinidad library, Della sees education as the path away from “the stalks, stables, and land of the KKK.” Both families are threatened by racist violence: “Since there were no African Americans living in Southern Colorado,” Della observes, “the KKK had to hate someone, so they hated us.” Nature is another threat. As the drought intensifies in the 1930s, Della’s parents struggle to eke out a living. “At one point,” Della recalls, “I think we ate corn for three months straight.” While Della vows to leave Trinidad, go to college, and make her family proud, John assumes he will become a miner like his father; shyly in love with Della, he imagines her by his side. Dramatic events, though, upend the lives of John, his sister, and two brothers. And World War II radically changes the future for both Della and John. Johnstun knows his terrain well, creating a palpable sense of the sky and soil, grasses and wildlife of the mesa—and the winds of change that swept through the nation for two tumultuous decades.

A tender evocation of grief, hope, and dignity.

Pub Date: Oct. 5, 2021

ISBN: 978-1-948814-51-5

Page Count: 250

Publisher: Torrey House Press

Review Posted Online: July 27, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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