A friendly, useful, and nicely illustrated guide for kids facing surgery.
A little girl feels nervous about undergoing minor surgery in this debut picture book.
Sunday, a small, pale-skinned girl with unkempt brown hair, is about to have surgery to fix a small tear in her eardrum. She’s worried but has ticked all the boxes on her checklist— everything from a packed bag to a “stomach in knots like a triple-tied shoelace.” At the hospital, she encounters unfamiliar procedures like wearing a plastic identity bracelet and getting an IV, but the nurse’s encouraging words help her to be brave. She also calms herself down with pleasant daydreams. After the operation, she’s tired and groggy for a while but soon feels like herself again, and hears better too. In her book, Harrison soothes fears by helping kids know what to expect before surgery. The story nicely balances Sunday’s anxiety with her humorous voice and active imagination. She’s encouraged to be brave but in a way that acknowledges her understandable nerves; adults are kind and reassuring. Also useful are a list of five rules for surgery, such as bringing a toy or other item, and several questions adults can use to help children talk through their fears. Crampton provides cheerful, appealingly detailed images in calming pastels that feature a diverse cast.
A friendly, useful, and nicely illustrated guide for kids facing surgery. (Questions to Ask Someone (or Yourself!) Before Surgery” [26])Pub Date: March 27, 2020
ISBN: 978-1-73470-750-2
Page Count: 28
Publisher: Warren Publishing, Inc.
Review Posted Online: May 13, 2020
Kirkus Reviews Issue: July 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A silly snack guaranteed to satisfy the funny bone; kids will eat it up and ask for more.
In this droll tale, ostensibly straightforward instructions are a recipe for absurdity.
To obtain the two slices of bread that a jelly sandwich calls for, a brown-skinned youngster named Frankie instructs readers to head to the store. But NOT to the bakery aisle! Instead, buy “one orange [traffic] cone, scuba flippers, and a yellow inner tube.” Using those items to fashion a duck disguise, you’ll score the bread from a brown-skinned elder feeding wildfowl in the park. And if the ducks see through your pretense, you might have to practice your “quack-cent.” Similar maneuvers are required to open the jelly jar: You’ll need peanuts, a playground with a “whirly-go-round,” and an elephant with a strong trunk grip. (But if the jar is carelessly opened upside down, you’ll get a “jellyphant.”) To spread the jelly, you must first scrub a dog in your bathtub. (Dip the clean tail in the jelly, then pet and praise the dog until it happily wags its tail over the bread slices.) Putting the slices together requires a knightly tournament, but cutting the sandwich, “the least complicated step of all,” involves training a hamster to ride a unicycle. The final pages propose an alternative (but just as outrageous) method and invite readers to think up their own ridiculous techniques. Burach’s scenarios are inventive and hilarious, while his exaggerated cartoon illustrations reinforce the delicious jokiness each step of the way.
A silly snack guaranteed to satisfy the funny bone; kids will eat it up and ask for more. (Picture book. 4-8)Pub Date: April 21, 2026
ISBN: 9781338877090
Page Count: 40
Publisher: Scholastic
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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