The sleuthing is less important than Atkinson’s fascinating take on the philosophic and emotional dimensions of her...

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STARTED EARLY, TOOK MY DOG

From the Jackson Brodie series , Vol. 4

British private detective Jackson Brodie, star of three previous Atkinson novels (When Will There Be Good News, 2008, etc.), finds himself embroiled in a case which shows that defining crime is sometimes as difficult as solving it.

Tracy Waterhouse, who is middle-aged, overweight and lonely, heads security for a mall in Leeds. Retired from the local police force, she remains haunted by one of her earliest cases, when she and her partner found a little boy abandoned in the apartment where his mother had been murdered days earlier. Although the murderer was supposedly found (but died before being brought to trial), Tracy never learned what happened to the child with whom she’d formed a quick bond. When Tracy sees a known prostitute/lowlife mistreating her child at the mall, she impulsively offers to buy the child, and the woman takes the money and runs. Tracy knows she has technically broken the law and even suspects the woman might not be the real mother, but her protective instinct and growing love for the little girl named Courtney overrides common sense; she begins arrangements to flee Leeds and start a new life with the child. Meanwhile, Jackson has come to Leeds on his own case. Raised and living in Australia, adoptee Hope McMaster wants information about her birth parents, who supposedly died in a car crash in Leeds 30 years ago. As he pursues the case, Jackson considers his relationships with his own kids—a troublesome teenage daughter from his first marriage and a young son whom DNA tests have recently proved he fathered with a former lover. Jackson’s search and Tracy’s quest intertwine as Jackson’s questions make the Leeds police force increasingly nervous. It becomes clear that the 1975 murder case Tracy worked on is far from solved and has had lasting repercussions.

The sleuthing is less important than Atkinson’s fascinating take on the philosophic and emotional dimensions of her characters’ lives.

Pub Date: March 21, 2011

ISBN: 978-0-316-06673-0

Page Count: 400

Publisher: Reagan Arthur/Little, Brown

Review Posted Online: Dec. 30, 2010

Kirkus Reviews Issue: Jan. 1, 2011

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Creepy, violent, and propulsive; a standout gothic mystery.

THINGS IN JARS

Lady detective Bridie Devine searches for a missing child and finds much more than she bargained for.

Bridie Devine is no stranger to the seedy underworld of Victorian London. An accomplished detective with medical training, she sometimes helps the police by examining bodies to determine the cause of death. Bridie recently failed to find a lost child, and when she’s approached about another missing child, the daughter of Sir Edmund Berwick, she isn’t enthusiastic about taking on the case. But Christabel Berwick is no ordinary child. Sir Edmund has hidden Christabel away her whole life and wants Bridie to believe this is an ordinary kidnapping. Bridie does a little digging and learns that Christabel isn’t his daughter so much as his prized specimen. Sir Edmund believes Christabel is a “merrow,” a darker and less romanticized version of a mermaid. Bridie is skeptical, but there are reports of Christabel’s sharp teeth, color-changing eyes, and ability to drown people on dry land. Given that Bridie’s new companion is a ghost who refuses to tell her why he’s haunting her, Bridie might want to open her mind a bit. There’s a lot going on in this singular novel, and none of it pretty. Bridie’s London is soaked with mud and blood, and her past is nightmarish at best. Kidd (Mr. Flood’s Last Resort, 2018, etc.) is an expert at setting a supernatural mood perfect for ghosts and merrows, but her human villains make them seem mundane by comparison. With so much detail and so many clever, Dickensian characters, readers might petition Kidd to give Bridie her own series.

Creepy, violent, and propulsive; a standout gothic mystery.

Pub Date: Feb. 4, 2020

ISBN: 978-1-9821-2128-0

Page Count: 384

Publisher: Atria

Review Posted Online: Sept. 30, 2019

Kirkus Reviews Issue: Oct. 15, 2019

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