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HERE IF YOU NEED ME

A TRUE STORY

A heartening book about applied theology by someone practicing her faith in a rough-and-tumble world.

The life-and-death experiences of the first female chaplain in the Maine Warden Service.

Novelist and journalist Braestrup (Onion, 1990) became a Unitarian Universalist minister after her husband was killed in a car accident. He had planned to join the ministry after he retired from the Maine State Police, and she decided to honor his memory by achieving his goal and devoting herself to law-enforcement-related service. Her stories of search-and-rescue operations in the Maine woods make it clear that she quickly became very good at helping others. When disaster struck, she traveled with the wardens, clad in the same uniform but with a plastic clerical collar attached, sharing their jokes, their cold and discomfort and their bad meals. Though they gently taunted her with such nicknames as “Holy Mother” and “Your Holiness,” the wardens seemed to enjoy having Braestrup along and to value her presence. It freed them up to do their own jobs when she reached out to provide on-the-spot comfort to the parents of a lost child, the wife of a man who disappeared while ice fishing, as well as other frightened, stressed-out and grief-stricken people. Interspersed among accounts of violent death and dismemberment in the wilderness are sweeter, sadder essays: detailed recollections of preparing her husband’s body for cremation; confessions of her paranoia about their four children’s safety; and surprisingly unorthodox thoughts on heaven and hell, miracles, prayer and Jesus. Braestrup’s occasionally self-mocking prose conveys a warmth and humor that lighten some heartbreaking, even gruesome scenes. Her characters and story lines seem custom-made for a high-quality television series.

A heartening book about applied theology by someone practicing her faith in a rough-and-tumble world.

Pub Date: Aug. 1, 2007

ISBN: 978-0-316-06630-3

Page Count: 224

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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