A story of grit and perseverance that will appeal to readers interested in the history of women in journalism.
A historical novel about the 10 days that famed newspaper journalist Nellie Bly posed as a patient in a mental hospital.
The story opens in 1919 as narrator Beatrice Alexander performs menial tasks as Bly’s assistant at the McAlpin Hotel in Manhattan. Now in her 50s, Bly maintains a makeshift office in a suite at the hotel, where she writes articles and arranges adoptions. She gives Beatrice some handwritten notes to type—pages that recount Bly’s undercover stint in a mental institution decades before. As Beatrice works through these notes, third-person narration takes readers 30 years into the past. Desperate for her first break as a journalist, young Bly found work at a newspaper by agreeing to do an exposé on a women’s asylum. After convincing medical professionals that she was mentally unstable, she was taken to Blackwell’s Island Insane Asylum for Women, in the East River, where she was instantly subjected to miserable treatment. The conditions at Blackwell’s Island couldn’t have been worse, with its rancid food, “filthy bathwater,” and abusive medical staff. Bly found only one genuinely altruistic doctor there, and his efforts had minimal impact on patient conditions. As Bly waited for her publisher to rescue her from the asylum, she worried that her suffering might cause her to lose her grip on reality. Novelist Braithwaite (The Road to Newgate, 2018, etc.) delivers a well-researched and engrossing tale that focuses on female empowerment. It’s full of intriguing historical details about past medical practices and the abuses that wards of the state endured; it also features many real-life characters, including patients and doctors that Bly met in the asylum. Indeed, the scenes in the so-called “madhouse” are significantly more compelling than those set years later, but the latter-day happenings do serve to show how successful Bly became after her first assignment. Although readers know from the start that Bly escaped Blackwell’s Island, the descriptions of her harrowing experiences remain captivating.
A story of grit and perseverance that will appeal to readers interested in the history of women in journalism.Pub Date: March 6, 2019
ISBN: 978-1-79893-638-2
Page Count: 261
Publisher: Crooked Cat Books
Review Posted Online: April 18, 2019
Kirkus Reviews Issue: June 1, 2019
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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