This don't-miss debut captures the details of early parenthood while engaging with ideas about time and caregiving.
A single mother and her baby daughter move through the course of one day in this debut novel, which cleverly incorporates the woman's past and present relationships and intellectual life.
Helen is trying to get her 6-week-old, Rose, to nap. She nearly succeeds, but a delivery wakes the baby up. It's a used edition of Henry Fielding's The History of Tom Jones, A Foundling that Helen ordered. Time expands and contracts, moves backward and into the minutiae of the present, as Helen and Rose’s day continues from here. In particular, Helen returns again and again to her close friendship with her ex-flatmate Rebba, considering how it has changed since Rose was born and Helen moved into her own apartment. She contemplates the act of caring for a child as described in Tom Jones and the nature of time as described by such thinkers as E.M. Forster, Gertrude Stein, and D.W. Winnicott. For Helen, any definition of time is utterly exploded by the fact of her newborn baby’s complete lack of a sense of schedule. As Helen’s thoughts unspool as she tries to get Rose to sleep in their apartment, while out for a walk, and then back in their apartment again, the reader is given direct insight into a parent’s sense of space and time during this often Sisyphean activity. While some readers may be put off by the interweaving of Helen’s experiences with mini-essays on the everyday terms and concepts of her intellectual and domestic life, there are imaginative interjections, such as when Helen places herself in a Forster lecture with her baby, that should appeal to Virginia Woolf fans.
This don't-miss debut captures the details of early parenthood while engaging with ideas about time and caregiving.Pub Date: Oct. 3, 2023
ISBN: 9781948980210
Page Count: 400
Publisher: Dorothy
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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