by Kate Colquhoun ‧ RELEASE DATE: Nov. 1, 2007
A thoughtful and detailed book to be savored—but not on an empty stomach.
The history of British food, beginning with a tough grain that was all the rage among Neolithic farmers.
That was einkorn, in 4000 BCE. From there, Colquhoun (The Busiest Man in England: A Life of Joseph Paxton, Gardener, Architect & Victorian Visionary, 2006, etc.) moves through Roman feasts calling for ample servings of flamingo, sumptuous Georgian meals relying heavily on melted butter, the class-inflected foodie mania of the mid-1980s and the increasingly processed, commercialized foodstuffs we rely on today. Refreshingly free of jokes about British cooking, her text uses cookery through the ages to explain everything from the British Isles’ waves of invaders and immigrants to class conflict and consciousness, patriotism and terror during World War II rationing. The prose is occasionally stiff and often overly formal, but it thoroughly recounts the fascinating history of an empire. And Colquhoun can reach passionate heights, as in this passage about Victorian celebrity cook Eliza Acton, who “turned away from melted butter to its French equivalent—rich, unguent mayonnaise made by working drops of oil carefully into whisked egg yolks to form a smooth custard, coloured green with parsley juice or flavoured with a pea-sized piece of bruised garlic or a drop of tarragon vinegar.” As it seems most modern books about food must, this one laments meals gone by. “We buy green beans from Kenya and asparagus from Peru without considering its absurdity,” notes the author, who wonders whether this generation will be the last to know fresh fruits picked straight from the vine or bread collected that day from the baker. In discussing Britons’ tormented relationship with eating, Colquhoun points out that “we spend more on the slimming industry than we do on aid for the starving.” They’re not alone: Americans fork out an estimated $30 to $40 billion annually on weight-loss programs and products.
A thoughtful and detailed book to be savored—but not on an empty stomach.Pub Date: Nov. 1, 2007
ISBN: 978-1-59691-410-0
Page Count: 480
Publisher: Bloomsbury
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 2007
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by Éric Vuillard ; translated by Mark Polizzotti ‧ RELEASE DATE: Sept. 25, 2018
In this meticulously detailed and evocative book, history comes alive, and it isn’t pretty.
A meditation on Austria’s capitulation to the Nazis. The book won the 2017 Prix Goncourt.
Vuillard (Sorrow of the Earth: Buffalo Bill, Sitting Bull and the Tragedy of Show Business, 2017, etc.) is also a filmmaker, and these episodic vignettes have a cinematic quality to them. “The play is about to begin,” he writes on the first page, “but the curtain won’t rise….Even though the twentieth of February 1933 was not just any other day, most people spent the morning grinding away, immersed in the great, decent fallacy of work, with its small gestures that enfold a silent, conventional truth and reduce the entire epic of our lives to a diligent pantomime.” Having established his command of tone, the author proceeds through devastating character portraits of Hitler and Goebbels, who seduced and bullied their appeasers into believing that short-term accommodations would pay long-term dividends. The cold calculations of Austria’s captains of industries and the pathetic negotiations of leaders who knew that their protestations were mainly for show suggest the complicated complicity of a country where young women screamed for Hitler as if he were a teen idol. “The bride was willing; this was no rape, as some have claimed, but a proper wedding,” writes Vuillard. Yet the consummation was by no means as smoothly triumphant as the Nazi newsreels have depicted. The army’s entry into Austria was less a blitzkrieg than a mechanical breakdown, one that found Hitler stalled behind the tanks that refused to move as those prepared to hail his emergence wondered what had happened. “For it wasn’t only a few isolated tanks that had broken down,” writes the author, “not just the occasional armored truck—no, it was the vast majority of the great German army, and the road was now entirely blocked. It was like a slapstick comedy!” In the aftermath, some of those most responsible for Austria’s fall faced death by hanging, but at least one received an American professorship.
In this meticulously detailed and evocative book, history comes alive, and it isn’t pretty.Pub Date: Sept. 25, 2018
ISBN: 978-1-59051-969-1
Page Count: 144
Publisher: Other Press
Review Posted Online: June 17, 2018
Kirkus Reviews Issue: July 1, 2018
GENERAL HISTORY | MODERN | WORLD | MILITARY | HISTORY
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by Éric Vuillard ; translated by Mark Polizzotti
by Ben Katchor illustrated by Ben Katchor ‧ RELEASE DATE: March 10, 2020
An informative, nostalgic evocation of a special urban dining experience.
An account of once-popular New York restaurants that had a rich social and cultural history.
“Since, by choice or historical necessity, exile and travel were defining aspects of Jewish life, somewhere a Jew was always eating out,” observes cartoonist and MacArthur fellow Katchor (Illustration/Parsons, the New School; Hand-Drying in America, 2013, etc.) in his exhaustively researched, entertaining, and profusely illustrated history of Jewish dining preferences and practices. The Garden of Eden, he notes wryly, was “the first private eating place open to the public,” serving as a model for all the restaurants that came after: cafes, cafeterias, buffets, milk halls, lunch counters, diners, delicatessens, and, especially, dairy restaurants, a favorite destination among New York Jews, which Katchor remembers from his wanderings around the city as a young adult. Dairy restaurants, because they served no meat, attracted diners who observed kosher laws; many boasted a long menu that included items such as mushroom cutlet, blintzes, broiled fish, vegetarian liver, and fried eggplant steak. Attracted by the homey appearance and “forlorn” atmosphere of these restaurants, Katchor set out to uncover their history, engaging in years of “aimless reading in the libraries of New York and on the pages of the internet,” where he found menus, memoirs, telephone directories, newspaper ads, fiction, and food histories that fill the pages of his book with colorful anecdotes, trivia, and food lore. Although dairy restaurants were popular with Jewish immigrants, their advent in the U.S. predated immigrants’ demand for Eastern European meatless dishes. The milk hall, often located in parks, resorts, or spas, gained popularity throughout 19th-century Europe. Franz Kafka, for example, treated himself to a glass of sour milk from a milk pavilion after a day in a Prague park. Jews were not alone in embracing vegetarianism. In Europe and America, shunning meat was inspired by several causes, including utopian socialism, which sought to distance itself from “the beef-eating aristocracy”; ethical preferences; and health concerns. A meatless diet relieved digestive problems, many sufferers found.
An informative, nostalgic evocation of a special urban dining experience.Pub Date: March 10, 2020
ISBN: 978-0-8052-4219-5
Page Count: 496
Publisher: Schocken
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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