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IN AT THE DEEP END

Sweet but never saccharine; a literary rom-com about the importance of knowing yourself.

In Davies’ exceedingly charming adult fiction debut, a romantically frustrated 20-something Londoner realizes maybe the problem isn’t her—maybe the problem is men.

It’s been three years since Julia has had sex herself, although she is frequently privy to sex—adjacent to sex, subjected to sex—living with her best friend, Alice, and Alice’s boyfriend in a flat with unfortunately thin walls. But her own sex life has been, to date, lackluster. “I’d always preferred the idea of sex to sex itself,” she muses. “The thing is, sex had never been particularly high on my list of priorities.” Dance had been her priority, but then she was injured, and so, instead of the ballet career she’d dreamed of, she has an uninspiring government job, a very opinionated therapist, and a total lack of romantic intrigue. Until, at a cool warehouse party, she meets Jane. Sex is different with Jane; everything is different with Jane. Julia is overcome with ecstatic relief: She’s a lesbian. “I felt like I belonged, at last, in the world of the sexually fulfilled,” she declares. “Now I had a sense of purpose. I was going to find someone to be a lesbian with.” And quickly, she does—not one of the women from her new queer swing-dance group (she immediately joins a queer swing-dance group), but Sam, an artist she meets at a club. But as their relationship intensifies, Sam’s one-sided demands start to feel increasingly stifling—leaving Julia to define the kind of relationship she wants for herself. Davies recounts the progression of Julia and Sam’s relationship in such detail, and with such focus, that it’s occasionally exhausting, like listening to a friend obsess over the plodding minutiae of a fundamentally doomed relationship for years. (And who among us has not?) But Davies’ writing is so breezy and effortless—and her characters so delightful—that to spend time in her world is a pleasure.

Sweet but never saccharine; a literary rom-com about the importance of knowing yourself.

Pub Date: June 4, 2019

ISBN: 978-1-328-62967-8

Page Count: 336

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Feb. 27, 2019

Kirkus Reviews Issue: March 15, 2019

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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