Younger siblings of the Mercy chapter-book lovers will find their way into the series with this first look, written just for...

A PIGLET NAMED MERCY

To paraphrase an immortal spider, Mercy is some pig.

Mercy Watson, a “small and not at all ordinary” pig, is already the star of six early chapter books, well-known for her love of buttered toast and, of course, of Mr. and Mrs. Watson, the white couple who care for her. But how did Mercy come to live with the Watsons? And how did they discover her love for buttered toast? Written simply for the pre–chapter-book audience, with big, bright, often full-spread illustrations, this picture book offers an introduction to Mercy, “the porcine wonder,” with all the dramatic expressions and gentle humor of the chapter books and some irresistible pig cuteness sprinkled in for extra charm. Vivid colors cause each illustration to pop, with a retro style to the Watsons’ rosy cheeks, classic car, and rather traditional gender roles (Mrs. Watson vacuums, Mr. Watson polishes the car). An unnamed interracial family seen through a window references two characters introduced as school-age children in the fourth installment of the chapter-book series: Frank and Stella, he as a toddler and she as a baby. Since the target audience for this outing will have no familiarity with them, their presence mostly serves to underscore the otherwise all-white human cast.

Younger siblings of the Mercy chapter-book lovers will find their way into the series with this first look, written just for them . (Picture book. 3-5)

Pub Date: April 2, 2019

ISBN: 978-0-7636-7753-4

Page Count: 32

Publisher: Candlewick

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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WITH ALL MY HEART

A caregiving bear shares with its cub how love has defined their relationship from the first moment and through the years as the cub has grown.

With rhymes and a steady rhythm that are less singsong-y than similar books, Stansbie seems to have hit a sweet spot for this offering on the I-love-you-always shelf. Readers follow the adult and child as they share special moments together—a sunset, a splash in a pond, climbing a tree, a snuggle—and the adult tells the child that the love it feels has only grown. Stansbie also takes care not to put promises in the adult bear’s mouth that can’t be delivered, acknowledging that physical proximity is not always possible: “Wherever you are, / even when we’re apart… // I’ll love you forever / with all of my heart.” The large trim size helps the sweet illustrations shine; their emphasis is on the close relationship between parent and child. Shaped peekaboo windows offer glimpses of preceding and succeeding pages, images and text carefully placed to work whatever the context. While the die cuts on the interior pages will not hold up to rough handling, they do add whimsy and delight to the book as a whole: “And now that you’re bigger, / you make my heart sing. / My / beautiful / wonderful / magical / thing.” Those last three adjectives are positioned in leaf-shaped cutouts, the turn of the page revealing the roly-poly cub in a pile of leaves, three formed by the die-cuts. Opposite, three vignettes show the cub appreciating the “beautiful,” the “wonderful,” and the “magical.”

Sweet. (Picture book. 3-5)

Pub Date: Dec. 3, 2019

ISBN: 978-1-68412-910-2

Page Count: 32

Publisher: Silver Dolphin

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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