Hilarity and hijinks abound in this tale about a voracious swine with an overweening yen for hot buttered toast. Mercy is the beloved pet pig of the doting Mr. and Mrs. Watson. When Mercy sneaks into her owner’s bed one night, her added heft causes the bed to fall partway through the ceiling. Although the besotted Watsons assume Mercy is trotting off to seek help, the only search and rescue Mercy seems to care about involves butter and hot bread. In her quest for some midnight munchies, Mercy awakens the crotchety neighbor. Wild chases and mayhem ensue before help arrives in the guise of firefighters. DiCamillo aims for over-the-top fun with her tale of porcine shenanigans, and Van Dusen’s gouache illustrations provide a comical counterpart to the text. The glossy paintings, with exaggerated caricatures and lively colors, complement DiCamillo’s tone, although the scowling, lantern-jawed visage of the crabby neighbor borders on the unpleasant. With vocabulary that may prove too challenging for a novice, DiCamillo’s tale is best suited for those ready to move up. However, the pacing and the action easily make it right for shared reading. (Fiction. 6-8)
Pub Date: Sept. 1, 2005
ISBN: 0-7636-2270-2
Page Count: 80
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
Rylant (Henry and Mudge and the Sneaky Crackers, 1998, etc.) slips into a sentimental mode for this latest outing of the boy and his dog, as she sends Mudge and Henry and his parents off on a camping trip. Each character is attended to, each personality sketched in a few brief words: Henry's mother is the camping veteran with outdoor savvy; Henry's father doesn't know a tent stake from a marshmallow fork, but he's got a guitar for campfire entertainment; and the principals are their usual ready-for-fun selves. There are sappy moments, e.g., after an evening of star- gazing, Rylant sends the family off to bed with: ``Everyone slept safe and sound and there were no bears, no scares. Just the clean smell of trees . . . and wonderful green dreams.'' With its nice tempo, the story is as toasty as its campfire and swaddled in Stevenson's trusty artwork. (Fiction. 6-8)
Pub Date: April 1, 1998
ISBN: 0-689-81175-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1998
With wordplay reminiscent of Margie Palatini at her best, Helakoski takes four timorous chickens into, then out of, the literal and figurative woods. Fleeing the henhouse after catching sight of a wolf, the pusillanimous pullets come to a deep ditch: “ ‘What if we can’t jump that far?’ ‘What if we fall in the ditch?’ ‘What if we get sucked into the mud?’ The chickens tutted, putted, and flutted. They butted into themselves and each other, until one by one . . . ” they do fall in. But then they pick themselves up and struggle out. Ensuing encounters with cows and a lake furnish similar responses and outcomes; ultimately they tumble into the wolf’s very cave, where they “picked, pecked, and pocked. They ruffled, puffled, and shuffled. They shrieked, squeaked, and freaked, until . . . ” their nemesis scampers away in panic. Fluttering about in pop-eyed terror, the portly, partly clothed hens make comical figures in Cole’s sunny cartoons (as does the flummoxed wolf)—but the genuine triumph in their final strut—“ ‘I am a big, brave chicken,’ said one chicken. ‘Ohh . . . ’ said the others. ‘Me too.’ ‘Me three.’ ‘Me four’ ”—brings this tribute to chicken power to a rousing close. (Picture book. 6-8)
Pub Date: Feb. 1, 2006
ISBN: 0-525-47575-3
Page Count: 32
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2005
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