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MY DARK VANESSA

A gut-wrenching debut.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • IndieBound Bestseller

The #MeToo movement forces a struggling young woman to confront the abusive relationship that defines her sexual and romantic past.

At 15, Vanessa Wye falls for her English teacher at Browick, a private boarding school. Jacob Strane is 42, "big, broad, and so tall that his shoulders hunch as though his body wants to apologize for taking up so much space." Strane woos Vanessa with Nabokov's novels, Plath's poetry, and furtive caresses in his back office. "I think we're very similar, Nessa," Strane tells her during a one-on-one conference. "I can tell from the way you write that you're a dark romantic like me." Soon, Vanessa is reveling in her newfound power of attraction, pursuing sleepovers at Strane's house, and conducting what she feels is a secret affair right under the noses of the administration. More than 15 years later, at the height of the #MeToo movement, Taylor Birch, another young woman from Browick, publicly accuses Strane of sexual abuse. When a young journalist reaches out to Vanessa to corroborate Taylor's story, Vanessa's world begins to unravel. "Because even if I sometimes use the word abuse to describe certain things that were done to me, in someone else's mouth the word turns ugly and absolute....It swallows me and all the times I wanted it, begged for it," Vanessa tells herself. Russell weaves Vanessa's memories of high school together with the social media–saturated callout culture of the present moment, as Vanessa struggles to determine whether the love story she has told about herself is, in fact, a tragedy of unthinkable proportions. Russell's debut is a rich psychological study of the aftermath of abuse, and her novel asks readers both to take Vanessa's assertions of agency at face value and to determine the real, psychological harm perpetrated against her by an abusive adult. What emerges is a devastating cultural portrait of enablement and the harm we allow young women to shoulder. "The excuses we make for them are outrageous," Vanessa concludes about abusive men, "but they're nothing compared with the ones we make for ourselves."

A gut-wrenching debut.

Pub Date: March 10, 2020

ISBN: 978-0-06-294150-3

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

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THE LAST BOOK PARTY

Written with fresh confidence and verve, this first novel is a bibliophile’s delight, with plenty of title-dropping and...

A young woman with literary aspirations jumps at the chance to become a summer assistant for a prestigious author in Dukess’ bittersweet coming-of-age debut novel.

It’s June 1987, and Eve Rosen is star-struck as she walks up the driveway of the summer home of New Yorker writer Henry Grey, for the guests are “Truro’s summer elite, the writers, editors, poets, and artists who left their apartments in Manhattan and Boston around Memorial Day and stayed on Cape Cod into September.” An editorial secretary at Henry’s New York publisher, Eve is thrilled to meet the man whose correspondence with her, however brief, is the highlight of her job. She is also dazzled by Henry’s attractive son, Franny, and Henry’s aloof wife, the poet Tillie Sanderson. With dreams of becoming a writer, yet lacking confidence, Eve longs to join this world, so very different from her Jewish parents’ suburban, middle-class lifestyle. “I was buoyed by a sense of possibility. A tentative belief that I could have a creative life too.” Returning to Manhattan, Eve meets her boss’s new literary discovery, snobbish Jeremy Grand, who went to school with Franny. Jealous of Jeremy’s connections with the Greys and his early success, Eve reads his unpublished novel and is stunned by the power of his voice. Her doubts about her own abilities grow, but when Eve is bypassed for a promotion, she quits her job and accepts Henry’s offer to work as his research assistant for the summer. Her decision leads her to some hard (if somewhat predictable) truths that are exposed at the Greys’ annual book costume party. Eve is an appealing protagonist, naïve and yet assertive in trying to find her own voice as an artist.

Written with fresh confidence and verve, this first novel is a bibliophile’s delight, with plenty of title-dropping and humorous digs at the publishing scene of the 1980s. The lyrical evocations of the Cape Cod landscape will also enchant readers seeking that perfect summer read.

Pub Date: July 9, 2019

ISBN: 978-1-250-22547-4

Page Count: 256

Publisher: Henry Holt

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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NOT A SOUND

Come for the mystery; stay for the taut suspense, the unique heroine—and of course, the ugly, loyal dog.

A deaf woman and her dog take on the world—or at least a callous, murdering sociopath—in Gudenkauf’s (Missing Pieces, 2016, etc.) latest.

After losing her hearing in a freak hit-and-run accident that also killed a woman, Amelia has struggled with alcoholism and unemployment and is finally striving to get her life together. She finds peace on the water, kayaking or paddleboarding with her service dog, Stitch, another survivor and misfit, until the day she discovers a body left in a shallow channel. Shocked not only by her discovery, but also by the realization that she used to be friends with the victim, Gwen, Amelia also worries that the publicity surrounding her 911 call might lead the killer right to her doorstep. In the meantime, she takes a job doing clerical work for a doctor friend of her estranged husband, himself a doctor, and she begins to wonder if Gwen may have been silenced because of a secret she discovered about something or someone in the medical community. Someone clearly has his or her eye on Amelia and is working to discredit her with both boss and husband, so she must be close to finding out the truth. Gudenkauf has created a memorable character in Amelia. Self-deprecating and sometimes angry, her candid voice is a breath of fresh air and an antidote to traditional thriller heroines. In addition, she is self-reliant and strong. The plot contains some clever twists, and the final showdown crackles with tension. It’s hard not to root for Amelia and Stitch; flawed as they are, they’re tough, engaging fighters.

Come for the mystery; stay for the taut suspense, the unique heroine—and of course, the ugly, loyal dog.

Pub Date: May 30, 2017

ISBN: 978-0-7783-1995-5

Page Count: 352

Publisher: Park Row Books

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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