A compassionate and frank look at depression and the social pressure faced by many college students as seen through the eyes...
What led to one teen athlete’s suicide.
When Maddy Holleran began attending college at the University of Pennsylvania and continued her athletic career as a member of the track team, she and everyone who knew her could only imagine the best for this outgoing and popular 19-year-old. But as her freshman year progressed, Maddy slipped into depression, falling deeper and deeper into a black pit that surprised and confused her. She attempted to maintain appearances, writing cheery text messages and Facebook posts, but inside, she felt increasingly numb and unhappy. Friends, relatives, and counselors told her it was normal, the type of homesickness and transitional unhappiness almost every first-year student experienced, and that she would get through it. But they were all wrong. Using Maddy’s text messages, emails, letters, and information compiled from family and friends, ESPN columnist Fagan (The Reappearing Act: Coming Out as Gay on a College Basketball Team Led by Born-Again Christians, 2014, etc.) expertly re-creates the last months of Maddy’s life. Interspersed with Maddy’s story is an analysis of the type of commitment that is required to be a college athlete and the building pressure that many college students feel to appear happy, healthy, and successful in their given paths, despite any underlying doubt or despair. The author pays particular attention to the increasingly prominent role of social media and the disparity when one compares the online persona of someone like Maddy, who gave no definite indication that something was seriously wrong, with the actual issues at hand. Echoing the feelings Maddy must have felt, Fagan includes personal reflections on her own college athletic career, her desire to quit playing basketball, and the difficulty she had in figuring out what to do.
A compassionate and frank look at depression and the social pressure faced by many college students as seen through the eyes of one young woman.Pub Date: Aug. 1, 2017
ISBN: 978-0-316-35654-1
Page Count: 320
Publisher: Little, Brown
Review Posted Online: April 30, 2017
Kirkus Reviews Issue: May 15, 2017
BOOK REVIEW
BOOK REVIEW
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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