Subtly philosophical, quietly adventurous, and perfect for bedtime.
Two young children dream of real and fantastical places to call home.
“If you live in a tree house…you’ll need to be a good listener,” opens the text. A double-page spread shows a girl with medium brown skin and Afro puffs and a boy with light brown skin and straight hair using headphones to listen to a record player and listening through a tin-can telephone to the chatter of a squirrel. The text goes on to imagine the special things you can do, qualities you must cultivate, or unique experiences you might have in other types of homes, including a spaceship, a train, an animal burrow, a castle, a candy store, a farm, a dollhouse, a nest, and more. The illustrations show the two children transported to each of the different dwelling places (the children are always drawn to scale) and feature repeating abstract and geometric shapes. The artwork is also chock-full of interesting and often tiny details; for example, when the children reside in a submarine, a nearby jellyfish reads a book, and when they live on a spaceship, green aliens dressed in spacesuits float by in outer space. Sometimes the text is amusing, but there are poignant moments: “If you live on a train, you know that everything changes,” and “if you live in a nest, you need to be ready to leave when it’s time.” Although frequently whimsical, this book gently encourages young readers to develop curiosity about domestic experiences outside of idealized and conventional representations.
Subtly philosophical, quietly adventurous, and perfect for bedtime. (Picture book. 3-8)Pub Date: Feb. 22, 2022
ISBN: 978-0-06-286532-8
Page Count: 40
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 2, 2021
Kirkus Reviews Issue: Dec. 15, 2021
BOOK REVIEW
BOOK REVIEW
An accessible entrance into the world of social-emotional skills.
What do you do when the world turns upside down?
Freckled redhead Tilda is a happy only child with a rollicking personality. With lots of books and toys and a multiracial group of friends, life is perfect as far as she’s concerned…until her world undergoes a troubling change (a subtle hint in the illustrations suggests that Tilda’s parents have divorced). Suddenly, nothing feels right, everything seems hard, and she doesn’t want to play with her friends. To reflect this emotional disorientation, the artwork shows Tilda in spatially distorted settings, complete with upside-down objects. It’s not until she sees an upturned ladybug struggle persistently before getting back on its feet (despite Tilda’s desire to help, the ladybug needs to help itself) that Tilda gains the courage to start taking baby steps in order to cope with her new reality. There are still challenges, and she needs to persevere, but eventually, she regains her zest for life and reconnects with her friends. Despite this, the ending avoids an easy happily-ever-after, which feels just right for the subject matter. Though a trifle didactic, the story sends an important message about the roles of self-efficacy and persistence when it comes to overcoming challenges and building resilience. Percival’s digital illustrations use transitions from grayscale to color to create symbolic meaning and have psychological depth, deftly capturing a child’s experience of trauma.
An accessible entrance into the world of social-emotional skills. (author's note) (Picture book. 3-6)Pub Date: March 1, 2022
ISBN: 978-1-5476-0822-5
Page Count: 32
Publisher: Bloomsbury
Review Posted Online: Dec. 26, 2021
Kirkus Reviews Issue: Jan. 15, 2022
A rite of passage seen through the lens of a favorite literary pal.
Llama Llama loses a tooth for the first time.
All of the wiggling can make having a loose tooth fun, but there can be some worry, too. How will it fall out? There is a tooth fairy? What does she do? Llama Llama is distressed. “Is it fun? / Or is it scary? / Just who, exactly, / IS this Fairy?” Luckily, Mama is there to help. “The Fairy’s great. She’s kind and funny. / She takes your tooth / and leaves you money.” Llama Llama is on board with that! Appropriately, exactly how much money is never specified, but the tiny llama fairy is shown carrying a bag stuffed with bills. Hopefully she has many houses to visit. Gram and Grandpa have lots of ideas on how to get the tooth to fall out, but Llama’s tooth stays put until bedtime. Suddenly, Llama realizes his tooth is gone: “OH NO. / Where is that tooth? / Where did it GO?” Will the tooth fairy come if the tooth is lost? The comforting cadence of the rhymes paired with warm, textured hues soften all the drama. As in the other posthumously published Llama Llama books, Morrow’s textured paintings emulate Dewdney’s definitively lined renderings. The fluttering llama fairy, along with Llama’s stuffed llama, whose wide eyes notice all, will delight eagle-eyed readers. (This book was reviewed digitally with 10.3-by-20-inch double-page spreads viewed at 41.8% of actual size.)
A rite of passage seen through the lens of a favorite literary pal. (Picture book. 3-6)Pub Date: Nov. 17, 2020
ISBN: 978-0-593-20603-4
Page Count: 40
Publisher: Viking
Review Posted Online: Sept. 28, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
