A powerful paranormal novel.
The story of a resilient young girl who has the eerie ability to see and speak with the dead.
Set in the Forest of Dean and in London, this novel moves back and forth between two girls, 13-year-old Ruby, in 1983, and Anna, Ruby’s young mother, in 1970. A third point of view peppers the novel, that of a boy simply called Shadow who follows alongside Ruby and has been by her side for as long as she can remember. Shadow, it becomes clear, is one among many specters only Ruby can see who begin to appear more and more over the course of the book. When the story begins, Ruby is living with her adopted parents, Mick, who is horribly abusive, and Barbara, who is helpless; back in 1970, Anna is pregnant and determined to put her child up for adoption, knowing that her lover, Lewis, will be crushingly disappointed to have to raise a child and stay in the Forest of Dean. Ruby's and Anna’s stories develop side by side: Ruby eventually strikes back against Mick, hitting him with a wooden board as revenge for a particularly horrible beating, and runs away, finding refuge with her friend Tom and his sister and brother who are living alone in the hills—their parents having abandoned them to “find themselves” in India. When Ruby is born, Anna cannot bear to give her up, and she and Lewis move with the baby to London, where he falls in with a criminal crowd, and Anna begins to feel detached, ultimately succumbing to postpartum psychosis and abandoning Ruby. Throughout the novel, Ruby is desperate to find her biological parents, thinking they will care for her as she’s never been cared for. She discovers the truth in an unexpected place and more violence ensues. Hamer (The Girl in the Red Coat, 2015) has created a mystical world in which characters are haunted by specters of their present as well as their past, by the living and the lost. Her diction is lovely and tangible; describing the heightening frequency of Ruby’s experiences with specters, she writes, “the skin of this world was thinning hour by hour so you could look through it like the papery bit of an onion.”
A powerful paranormal novel.Pub Date: Aug. 15, 2017
ISBN: 978-1-61219-665-7
Page Count: 336
Publisher: Melville House
Review Posted Online: June 5, 2017
Kirkus Reviews Issue: June 15, 2017
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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