Blunt and easeful—like having an older sibling give you the scoop.
That perennial favorite, the mechanics of excretion, is well and alimentarily served by this app from Hayes and Vaughan.
With its youthful, rhyming voice-over—“Speaking of food, that’s where it starts— / poop, I mean (and also farts)”—it gives the topic frank fun that conveys the naturalness of the process without stripping away its comic strangeness. The actors here are a boy and his dog (and of course the poops), who usher users stem to stern from mouthful to flush, stopping at every station along the way: esophagus, belly, intestine, toilet, cesspools and sewage lines. The body parts are situated and identified but not explored in any depth. Each page—there are 19—has one or more opportunities for engagement, sometimes opening up another page for greater explication, sometimes just allowing the dog to bark or the intestine to rumble; all is movement, as it were. One page is devoted to a gallery of poop shapes and another to the passing of gas—the accompanying sound effects are a hoot (flarp! squeep! pwip!). Tips (don’t play with poop, wash your hands) and trivia (herring communicate via flatulence, elephants poop 300 pounds a day) close out the proceedings.
Blunt and easeful—like having an older sibling give you the scoop. (iPad informational app. 4-8)Pub Date: Dec. 21, 2012
ISBN: N/A
Page Count: -
Publisher: Pinwheel Books
Review Posted Online: Feb. 26, 2013
Kirkus Reviews Issue: March 15, 2013
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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