Blunt and easeful—like having an older sibling give you the scoop.
That perennial favorite, the mechanics of excretion, is well and alimentarily served by this app from Hayes and Vaughan.
With its youthful, rhyming voice-over—“Speaking of food, that’s where it starts— / poop, I mean (and also farts)”—it gives the topic frank fun that conveys the naturalness of the process without stripping away its comic strangeness. The actors here are a boy and his dog (and of course the poops), who usher users stem to stern from mouthful to flush, stopping at every station along the way: esophagus, belly, intestine, toilet, cesspools and sewage lines. The body parts are situated and identified but not explored in any depth. Each page—there are 19—has one or more opportunities for engagement, sometimes opening up another page for greater explication, sometimes just allowing the dog to bark or the intestine to rumble; all is movement, as it were. One page is devoted to a gallery of poop shapes and another to the passing of gas—the accompanying sound effects are a hoot (flarp! squeep! pwip!). Tips (don’t play with poop, wash your hands) and trivia (herring communicate via flatulence, elephants poop 300 pounds a day) close out the proceedings.
Blunt and easeful—like having an older sibling give you the scoop. (iPad informational app. 4-8)Pub Date: Dec. 21, 2012
ISBN: N/A
Page Count: -
Publisher: Pinwheel Books
Review Posted Online: Feb. 26, 2013
Kirkus Reviews Issue: March 15, 2013
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
SEEN & HEARD
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
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