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DOROTHY DAY

THE WORLD WILL BE SAVED BY BEAUTY: AN INTIMATE PORTRAIT OF MY GRANDMOTHER

Fascinating, well-told, candid, and tender.

A rare glimpse into the life of one of America’s most revered social activists.

Hennessy (Dorothy Day and the Catholic Worker: The Miracle of Our Continuance, 2016), granddaughter of Dorothy Day (1897-1980), utilizes family correspondence, Day’s journals, and her own memories to construct a detailed, riveting biography. In many ways, this book is a dual biography, not only of the author’s grandmother, but also her mother, Tamar, who was Day’s only daughter. Indeed, the complex mother-daughter relationship between Dorothy and Tamar makes up a large portion of the book. Hennessy dives right into Day’s unusual and chaotic life. Even as a very young woman, Day was on her own, working varied jobs, coming into and out of abject poverty, experiencing heady love affairs, and always writing. With time, she funneled her energies into three pursuits: her newfound Catholic faith, her daughter, and her great creation, the Catholic Worker, which was primarily a newspaper but which was also a way of life for many activists. Readers will be intrigued to learn of Day’s intimate life story from the 1920s through the 1940s, especially, with the rise of the Catholic Worker as a parallel tale. Somewhat estranged from her mother during the 1950s, Tamar would return to New York and to the Worker, eventually taking it on as her own life’s work. Hennessy presents her grandmother in full. Though her respect for her is great, she also recognizes the challenges she faced and the many facets of her personality and life that prove she, like anyone else, was far from perfect. Perhaps no theme so dominates the book as much as love: the love between mother and daughter, Day’s often unrequited love for Forster Batterham, Tamar’s father, and Day’s love for helping the poor, which drove her life’s work and was inspired by her love for God.

Fascinating, well-told, candid, and tender.

Pub Date: Jan. 24, 2017

ISBN: 978-1-5011-3396-1

Page Count: 384

Publisher: Scribner

Review Posted Online: Nov. 8, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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