by Kate Horsley ‧ RELEASE DATE: Nov. 1, 2019
An engaging, passionate book that leaves some lingering metaphysical questions unanswered.
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Horsley’s (Between the Legs, 2015) biography/memoir curiously intertwines the lives of two women, separated by half a century.
On April 9, 2000, Horsley’s only child, 19-year-old Aaron Heath Parker-Davis, was walking home from work in Albuquerque, New Mexico, when he was struck and killed by a passing car. It took more than 17 years for the author to bury his ashes in the New Mexico desert. During her years of grieving, she came across pieces of information about a stranger who’d died many decades earlier—Suzette Ryerson Patterson, the daughter of one of Philadelphia’s Main Line high society families. Horsley began seeing unusual similarities between events in her own life and Suzette’s, which led her to contemplate the possibility of cosmic connections. For example, on April 9, 1912—exactly 88 years before Aaron’s death—Suzette and the Ryerson family, vacationing in Paris, received a cable informing them that Suzette’s beloved 19-year-old brother Arthur had died in an automobile accident. The family immediately arranged to return home aboard the first ship available: the RMS Titanic. From a lifeboat, Suzette watched her father go down with the ship on April 14—the same date that Aaron’s memorial service was held, 88 years later. By her own admission, Horsley, a writer and community college teacher, became obsessed with learning everything she could about Suzette’s short but remarkable life, which included years as a volunteer nurse on the front lines during World War I. The author’s dogged research led her to contact the few remaining members of Suzette’s extended family, peruse newspaper articles and letters that the woman wrote to her mother, and gain access to family photos—many of which she reproduces here. The overall result is a poignant and often riveting historical work, interspersed with Horsley’s emotional, first-person account of her painful search for peace in the face of tragedy. In the portions that focus on Suzette’s life, the author also offers vivid accounts of the horror of the Titanic’s sinking, the trauma of the World War I, and, not incidentally, the extravagant lifestyles of the wealthy elite.
An engaging, passionate book that leaves some lingering metaphysical questions unanswered.Pub Date: Nov. 1, 2019
ISBN: 978-1-949652-06-2
Page Count: 308
Publisher: Mercury HeartLink
Review Posted Online: Jan. 22, 2020
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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