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FEEDING THE FLYING FANELLIS

AND OTHER POEMS FROM A CIRCUS CHEF

Enjoy a ringside seat and be enthralled by a circus that’s like no other.

Everyone needs to eat, even circus acts!

In this charming collection of poems, a circus chef waxes lyrical about the whimsical meals he must prepare for those who perform under the big top. “My days are long and sweaty, and the chaos never ends. / But still I find I’m most content when cooking for my friends,” declares the chef. Keeping performers well-fed and happy is a challenge. However, this chef is up for it, as his quirky poems attest. A rhyme or two may sound forced—for instance, for the homesick strongman from Ukraine, "I made him vushka and some tea / From his babushka’s recipe”—but for the most part, they delight. “The lion is a true gourmet” and a demanding diner. “First comes antelope pâté, / Followed by a consommé. / His entrée is a wild boar. / He wolfs it down and roars for more.” As for the book’s namesake, the Flying Fanellis, “They only ask for lemon cakes / To fill their fearless bellies.” Readers should save their biggest applause for the illustrator. Kawa’s mixed-media palette is as magical and over-the-top as any circus experience. Dreamlike sequences are portrayed in rich, vibrant colors. Fantastical scenes pan, track, and tilt: top-down, down-up, up-close, and faraway. Don’t miss the tiniest details, from flaming teapots to vegetables on legs.

Enjoy a ringside seat and be enthralled by a circus that’s like no other. (Picture book/poetry. 5-9)

Pub Date: Oct. 1, 2015

ISBN: 978-1-4677-3905-4

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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RAFI AND ROSI MUSIC!

From the Rafi and Rosi series

A welcome, well-researched reflection of cultural pride in the early-reader landscape.

The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.

Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.

A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)

Pub Date: Sept. 17, 2019

ISBN: 978-0-89239-429-6

Page Count: 64

Publisher: Children's Book Press

Review Posted Online: July 27, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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